Page 94 - Trends
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                    NAzIM MEHMET
                    Lives and works in kayseri, turkey
                                        www.artbreak.com/nazimmehmet
              artist contact
                             mnazim777@yahoo.com
                                                                                 THe sIgn, oiL on canvas 47x40 in. / 120x100 cm.
            In the works of Mehmet whose
            aim is to present a world which
            is surrealist, dreamlike and out
            of mind, human figures give the
            sense of being belonged to this
            world  at  first  sight.  However,
            we realize that they are related
            to another world when we see
            the  figures  raising  from  the
            ground with shining aureoles
            over their head.  We can never
            see  faces  of  human  figures;
            either  their  faces  are  hidden
            behind  a  cover  or  their  back
            is  turned  us. This  is  another
            aspect increasing the mystery
            and  intensifying  the  sense
            of  them  being  belonged  to
            another  world. Time  to  time,
            these  figures  appear  to  be
            winged angels surrounded by
            a spiritual light.
            Book, birds and sundial are the
            common objects Mehmet uses
            almost in all works. Book is the
            symbol for wisdom as well as
            justice; birds are the symbols
            of freedom; sundial indicates
            the  life  time  passing  by.  It  is
            observed, artist mostly spreads
            the  objects  over  the  rocks
            in  a  surrealist  surroundings.
            Rocks  and  stones  are  the
            important issues in his works.
            According  to  him  “stones
            and  rocks  have  their  own
            stories and experiences with in
            themselves. They are witnesses
            to  the  places  where  they  sit
            and they are embedded with
            the  memory  of  that  place                                                                             TRENDS
            and  layered  with  its  history”
            (excerpt).
             Nurdan KARASU GÖKÇE /artist
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