Page 161 - Art-In-Vogue

 cONDENSAtION, (cONDENSAçãO) 2008 OIL ON CANvAS 25,5X27,5 IN. /65X70 CM. «
ClariCe gonÇalVeS  EVEN ON SuNNY DAYS, IS thERE At thE AtMOSPhERE A PERMANENt StAtE OF
ELEctRIcAL ActIVItY (MESMO EM DIAS ENSOLARADOS, EXIStE NA AtMOSFERA uM
Lives and works in Taguatinga DF, Brazil EStADO PERMANENtE DE AtIVIDADE ELétRIcA), 2010 OIL ON CANvAS 31,5X31,5 IN.
/80X80 CM.
THE ARTIST ONLINE www.flickr.com/photos/claricelima/

The painting whispers traces of characters that revive inside of now. interest for the domestic interior and women spaces at society. It started
Ancestral memories of the human race, some of what is conventional to in myself a catharsis, a need of self-knowledge, wondering until where in
call female but that is inherent to every human being: Continuities and/ my psychology, emotions and habits were really mine or were inherited
or cultural dominance. Domestic landscapes of everyday life lived and from hers suffering (my ancestors life experiences) are questions that are
imagined. I started to paint as twelve-year old, as a child I've already begun remain present surrounding all my production till the most recent work.
to represent women, beauty contests, and clothing, asking my mother Born in Brasilia- DF- Brazil in 1985, lives and works in Taguatinga - DF- Brazil
and grandmother to choose the most beautiful ones. I also liked to draw bachelor at visual Arts at University of Brasília, still at the university I've
my mother in her most static moment: watching Tv, her looking far away, participated of numerous exhibitions, was contemplated with some art
after a long day of work, she was staring to the screen, but I was feeling prizes at my country. Since my degree, I'm working with painting, showing
so close from her, It was a moment of having her "only for me", capturing my work on collective and individual exhibitions on my city (Brasilia) and
her image kept in my child world. Probably it was the beginning of my deep also goiânia and São Paulo.

161