Page 16 - Art-In-Vogue

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embodied it took a lot of investment because global exposure was hard perspectives in art. This portal aims to show the art world its multifaceted
and cumbersome to maintain. resources and status: these are new lines of thought that protect the
I have reached an outburst of coverage and power in the art world development in our cultural structure. The traditional art history and art
through a dynamic network that shares the same movement. Always theory valuations became gradually set aside. The new generation use
attentive to the sensibility of the artists, thus making indirect cultural up most of their time on the internet therefore the depth of thought is
references that are deeply rooted in the subtle motives that are translated that online global art gallery will provide our target age group through
in a single organic force, thus condensed and ready to offer the possibility the freshness and vitality a thorough insight into contemporary global art.
of limitless perpetual coverage, seen by an extensive client base of artists, This is an opportunity for the artists to receive through comparison the
galleries, museums, curators, journalists, art schools, collectors and the confirmation of their artistic capacity to express ideas in the stimulating
art lovers around the world. This cultural exchange is directly distributed field of media related arts. Simultaneously their works represent an
to over fifty thousand international collectors, consultants, advisers, important component to the Art in Real Time global Art Movement art
critics, writers, curators, dealers, and other visual art professionals. This projects.
achievement is best demonstrated by a database demographic which The new sensibility in art brought with the new generation of artists
shows us that it is truly an international affair in which 40% is in North who were emerged in this field during the nineties share less and less the
America, 45% in Europe, 25% in other locations (American, Australia, experimental attitude of artists ten to fifteen years older. Although they
Japan) etc... However, statistically speaking, the number of artists willing begin their career in a slightly timorous way and respect the industrious
to participate in virtual events and energetic older generation,
involving the experimental which is natural that they
trend has drastically increased imitate in the beginning, the
in comparison with the younger visual artists seem
previous decade. Moreover, to feel less motivated by the
the solo exhibitions of the prospective type of visual
most active artists who research, which takes over
asserted themselves earlier ever larger slices of reality.
within this aesthetic front They enter the new century’s
gradually show a significant cultural stage at a time of a
change of attitude. A kind of drastic artistic shutdown. In a
interiorization of the purely stagnant social situation the
experimental approach, which young generations of artists
occurs in the interest of research objects or the exterior artistic process inevitably turns towards the individual world, towards other values
to the researching subjects and inner world. The artistic act no longer and functions of the creative acts. A big part of this generation doesn’t
consists of a purely aesthetical and symbolical reality, but tries to visually attempt pure experimentalism, but experiments with a new realism, a
configure certain models of cultural archetypes or spiritual instances of new sensibility expressed by choosing a rough figurative style cultivating
the self. Thus, with certain artists there is a sort of slow alteration of the primitively existential or radically eclectic themes populated by personal
initially experimental impulse, a kind of spiritualization of the creative philosophies: quite often reduced to the mundane or purely biological
experience, which seems to clear itself of the former virtual avant-garde life, combining an iconography with mass-media or art history clichés. A
and cosmopolitan motivations to rediscover and project itself back into new figurative style is created, attracted by the expressionist attitude and
the field of the local spiritual traditions. The exhibitions made in the past by violent instinctive colors done by sudden distorted gestures, with an
years by Damien Hirsch, a British artist known for experimental works oversized and spectacular style but also by irony and ridicule. Undoubtedly,
involving animal parts and gilbert & george proved influential in the painting is the favorite medium of this new wave of artists, who without
pioneering of this field. This shows the focused movement from a more or having a unitary aesthetic program shared ideas, and sometimes refused
less prospective vision towards a rather retrospective or introspective one. the same ideas, outlining quickly and passionate trends in the art of the
Synchronously with the well known names there are a lot of new period. The global art climate in the early 21 century’s became perceptible
talents that will flourish in the future and they will eventually open new at the level of the whole cultural artistic mentality. However, due to its

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