Page 15 - Art-In-Vogue

constraints and economic decline which became obvious in the or on the artistic process itself makes online global art exposure
past years, the experimental online avant-garde trend maintains a an experimental event, bringing together under related forms the
certain pace, certain effervescence: there is a gap between political representatives of various artistic and contemporary idioms, visual,
decisions and their consequences in the cultural field, by virtue of a musical, and literary. Motivated by conceptualism which deals more
certain creative passiveness which is slower in modifying its mental with culture than with pure visual, the exhibition are not only the
and behavioral patterns. The members of the art community continue collective work elaborated by personalities from the fields of culture,
their individual studies in everything natural, in the spirit of which it it is also the collective metaphor of an active and energetic generation
transforming and emerging more organic and effectively converting of artists through a virtual synchronicity with global contemporary
their creative impulses into educational programs which will greatly artistic movements, original initiatives that made themselves known
stimulate the digital art field, particularly in the fields of web design, worldwide through this medium. virtually every important art
computer graphic art, and video art. In various artistic and cultural magazine produces an electronic version alongside, or instead of its
actions such as virtual or traditional, solo or collective ones, help printed issues, and these online versions have largely replaced print
maintain the guilds dynamic drive and become in return models and in day-to-day use. The printed art magazine that once made sense
inspiration for debutant artists. New media have augmented owing to but now stands as a significant barrier to art progress. Until recently,
enthusiasm and receptiveness of gentry involved in different forms of the cheapest and most efficient way to distribute art information
the art field, essentially through intense engagement and dedication was by printing art magazines, catalogues or leaflets and delivering
to understanding new them to newsstands,
technology, demand, galleries, museums,
and contempor ary curators, collectors and
philosophies. Only those art lovers. The cost of
who are totally indifferent publishing a printed art
to the new glob al magazine mostly came
culture phenomenon from advertisements
can omit or pass over and by producing and
the development in art distributing printed pages,
with new media and the and naturally scaled with
advantages it brings. the number of readers
Art is changing and subscription -based
its own identity: it is art business model that
becoming a way of a conceptual communication that just produces made good sense, and was reasonably efficient and fair. With the
effect however, requesting and soliciting an effort of acknowledgment rise of the internet, the sound premise of this business model has
that is the exact contrary to the deceitful appearance of its supposed vanished. The cheapest and most powerful way by far to distribute
“truths”. This, at the same time, creates difficulties for the artists as published art work is the internet. In online publication of new art and
well as for the creative management, and definitely creates difficulties artists, all the costs intrinsic to publication are spent in producing the
for the fruition of shown art works in galleries, museums or alternative original peer-reviewed, edited and formatted copy of each work. With
spaces. The public should be totally free to choose “how” to view, printing costs eliminated, and distribution infinitesimally cheap, the
in accordance to its real effective needs and desires. Thanks to the costs of publication are now independent of the number of readers.
outgoing fortitude, this complex project has a deep significance The virtual exhibition space is exposure capable of reaching more
for the global culture through its dramatic change required by the than seven hundred thousand visitors per month. Such extensive
computerization in art and the transfer to online exposure over the coverage is possible due to an exhibition listing and advertisement
traditional art exposure. This project will continuously be considered in cotemporary global art publications and online art galleries.
and we will have the support and confirmation of the public who is Works displayed online reach thousands of collectors, journalists,
ready to experience a new art movement. Exhibitions involving two curators, artists, art dealers, museums, and gallery visitors which
or more academic disciplines based either on very local problems until now has been an almost impossible feat to read - for this to be

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