Page 138 - Art-In-Vogue
P. 138

Looking into Bernard’s paintings is a journey into color and perception.   the art of drawing and the dominant use of color, recalling the likes
         Forms begin to appear, patterns and shapes lead the wandering eye   of Michelangelo, Miro, Dali, Picasso, Max Ernst and Jackson Pollock.
         into an apparent world of continual Rorschach tests, but the further   Yet Bernard’s art is stunningly its own, deeply introspective, floating
         one delves one realizes that this is not so. It is in fact a highly technical   and lyrical, and knowing him personally one sees the coherence
         and free dynamic form of abstractionism composed of flowing oil   between his spiritual ideology and deliberate intention to invite the
         rivers, laced with varying types of solvents that corrode and mix their   viewer’s eye. Reactions may be strong, they may consist of delight
         load where allowed. This undulating field is full of electrical charge   or incredulity, perhaps fear of personal revelations, yet strangely the
         and color fusion all held within a confined area that has a theme.   very relationship one has with his art changes as you venture into it.
         The resulting painting techniques by Bernard Rangel are a 35-year   Bernard’s paintings are enticingly collective, and you feel the urge to
         undertaking, evolved from a deep personal relationship he has with   populate a space with them. There are neither limits to the types of
         his subject matter. His own development as an artist weaves together   surfaces he works on nor to the number or scale of his commissions.
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