Page 31 - SACAL: Bibliophile Limited Edition Art Book Authentic Signed & Numbered By Artist
P. 31

than at a conventional drawing class.                      unexplored places. Jose and sylvia sacal


                                                                      have lived long periods in Chinese villages


           At the same time he was attending La                       of a few inhabitants, lived with indigenous


           Castañeda and spent some time with                         people of the Amazon, with aborigines in

           the mentally ill. he was impressed with                    Australia or new guinea man-eaters. They


           their expressions, being able to approach                  have traveled to the poles, the jungles and


           the gestural limits of the human being.                    forests. They have closely observed the


           During his stay at La Castañeda he met                     geographical and human diversity.

           uninhibited faces and bodies, without


           social masks. In addition he organized                     As part of their trips sacal has spent long


           artistic workshops for the mentally ill, and               hours in museums. There is no important


           knew their way of thinking and seeing the                  museum that he does not know and goes

           world.                                                     through them with the same intensity as


                                                                      he studies the rest of the things. his is


           In 1969 he married sylvia Farca, her family                a passionate and critical observer. The


           had wedding dresses shops. For years                       sculptures of this book, in which José sacal

           he devoted himself to designing clothes                    makes a recreation or paraphrases of the


           and tailor dresses originally designed for                 works he has observed, are the result of


           European or north American bodies to                       this dialogue with the universal art.


           mexican bodies. If in the kinds of medicine

           he had learned to know the bodies inside,                  sacal says: “first I look at the piece of


           now he could analyze them with clothes                     art, I try to understand its dimension in


           and moving.                                                space, I record it in the unconscious, make


                                                                      notes, sometimes I even dream about it.”

           Another very important aspect in his                       But when I do the sculpture I leave that


           formation has been their long voyages to                   flowing feeling, sometimes I destroy my












                                                                                                                       SACAL
   26   27   28   29   30   31   32   33   34   35   36