Page 78 - The 60.Venice Biennial & MoMA issue of WOA Contemporary Art magazine
P. 78

CREATIVE LABORATORY   THE ENLIGHTENED ONE, 2022 MIXED MEDIA 47,2X39,3 IN. | 120X100 CM.



         WATER LILIES, 2022 ACRYLIC ON CANVAS 35,4X27,6 IN | 90X70 CM.

         DRAGONFLY, 2018 MIXED MEDIA 31,5X31,5 IN. | 80X80 CM.







                                   ERNA KLAUS
                                   Lives and works in München, Germany
                                   https://www.ernaklaus.com/

         Art, in its most profound essence, is an emotional catalyst. It is
         within this realm that the works of Erna Klaus reside, serving not
         merely as visual spectacles but as conduits for the spectrum of
         human sentiment. Klaus’s palette is a symphony of colors, each
         hue resonating with the strings of curiosity and contemplation. Her
         canvases are sanctuaries of meditation, where the tangible fades
         and the abstract reigns, inviting viewers to journey through the ebb
         and flow of existence. Erna Klaus’s artistry is a harmonious blend
         of versatility and specificity, making her creations apt for an array
         of environments - from the intimacy of a home to the formality of
         corporate spaces. Each piece carries the unique signature of Klaus’s
         spirit, infusing spaces with a life force that is both distinctive and
         invigorating. Yet, it is the dual nature of Klaus’s work that captivates
         the soul. Her paintings are not just art; they are storied tapestries
         woven from the threads of her experiences. Each stroke is a lyrical

















                                                              evocation, a delicate balance of emotion and material that culminates
                                                              in a style that is at once gentle and assertive, precise yet fluid.
                                                              Spring, the season of rebirth, finds a special reverence in Klaus’s
                                                              oeuvre. Her floral subjects are not mere representations but
                                                              embodiments of nature’s resilience and beauty. The poppies soar,
                                                              the water lilies undulate, and the amaryllis bloom in a silent yet
                                                              resplendent explosion, akin to a celestial fireworks display. These
                                                              botanical portraits are more than art; they are heartfelt tributes to the
                                                              enduring cycle of life, resonating with the grace and sincerity that only
                                                              true artistry can evoke. In the end, the works of Erna Klaus transcend
                                                              the canvas, touching the viewer with an authenticity that is as rare as
                                                              it is beautiful. They remind us that art is not just seen; it is felt, and in
                                                              this feeling, we find the truest expression of what it means to be alive.


         78   WORLD of ART
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