Page 74 - The 60.Venice Biennial & MoMA issue of WOA Contemporary Art magazine

CREATIVE LABORATORY LOOSE PIECES (F80 FILM CAMERA) 01, 2024 COLOUR PHOTOGRAPHY 19.6X27.5 IN. | 50X70 CM.

LOOSE PIECES (F80 FILM CAMERA) 02, 2024 COLOUR PHOTOGRAPHY 19.6X27.5 IN. | 50X70 CM.
LOOSE PIECES 05 (F80 FILM CAMERA), 2024 COLOUR PHOTOGRAPHY 19.6X27.5 IN. | 50X70 CM

LOOSE PIECES 06 (F80 FILM CAMERA), 2024 COLOUR PHOTOGRAPHY 19.6X27.5 IN. | 50X70 CM.

CHAN SUK ON
Lives and works in Ferry Point, Kowloon, Hong Kong
https://httpschansukon.com/

Chan Suk On has an urge to crack down on this black box of her Untie the parts and deconstruct them, let the objects display and
camera. What's the secret inside the camera? She used a lot of breathe naturally, and appreciate the craftsmanship of the creator.
strength to loosen the screws to satisfy her curiosity. She discovered Emotions fluctuate every day. She reorganized photographic
the small parts inside and revealed the unknown things hidden in equipment to create different facial expressions. The images
the camera. There is no connection between parts and parts. They are beyond words. Using different emojis is the king of the era.
are composed of irregular shapes which are based on different Emoticon describes and shows facial expressions. This is a portrait
functions. When every small part is disassembled, like an anatomical of a person without a name, it can be everyone or anyone. People
picture and has no function. Its beauty naturally emerges. have no distinction of gender, age, class, wealth, and dress
This arrangement is simple and neat, it refers to the external code. These photos show the mental state of an era. In society,
incompleteness, irregular shape, simplicity, minimalism, without too communication often uses emojis in social media. It is quick and
much modification, and the pursuit of inner peace and indifference. convenient. This subculture has penetrated social media.

74 WORLD of ART