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                     ROLF AAMOT

                     Lives and works in Bergen, Norway

        SEARCH THE ARTIST ONLINE                       www.rolfaamot.com


        Rolf Aamot has always been a restless and experimental artist who in   as an attempt to counter power. Aamots pictures contain no mottoes, no
        particular has realized the potential of developing his visual language   figurations that we can identify directly with political figures, events or
        through the use of technological innovations. The technological side of his   current affairs – yet his entire artistic practice is deeply political.
        art alone could form the subject of an entire study. Technique has never   In  1966,  Rolf  Aamot  recorded  the  first  ”music  video”  on  Norwegian
        been his goal, however; rather it has been a means of creating images.  television – using music composed by Arne Nordheim. At the time of its
        In 1969, Rolf Aamot presented his works at the Munch Museum, where   broadcast one year later, it was the first time television had been used
        he applied the term ”visual theatre” to his work. On 24 February 1969, in   as an independent visual artistic medium.
        a full-page in vg, the Norwegian national daily, it was announced that a   Rolf Aamots own contribution to this genre was his visual music. His
        new theatre had been founded in Oslo: ”The visual Theatre, instigated   visual music consisted of visual tones formed through the mechanical and
        by the ”never-resting graphic artist and painter Rolf Aamot, 34, a cam-  electronic-laser processing of light. Aamot has experimented with light
        paigner for the artistic use of our mass media such as film, television   and movement and how the interaction of these two components can
        and newspapers”.                                         be crystallized in form of an image. Aamots pictures in the form of laser
        For Aamot, culture is interaction and the art he seeks to produce is art   painting, film and photographs can best be perceived as presentations
        that fosters and strengthens interaction. Aamot believes that modern   of an electronic foundation that forms scores that can be presented in
        mass media represent new public spaces and the powers that be seek to   several different ways.
        gain power over this public space. Anyone who today seeks power seeks
        to control the media. In this perspective, Aamots artistic project appears   Rolf Aamot – Digital Photopaintings by Professor Øivind Storm Bjerke

                                                                         NOrtHPOLe, 2006 DIgITAL PHOTOPAINTINg 60x40 IN. /150x100 CM.   
                                                                        BLUe taNGO, 2006 DIgITAL PHOTOPAINTINg 31x47 IN. /80x120 CM.   
                                                                  BLUe WItH OVertONe, 2006 DIgITAL PHOTOPAINTINg 60x40 IN. /150x100 CM.   
                                                                             OmeN, 2005 DIgITAL PHOTOPAINTINg 31x47 IN. /80x120 CM.   

                                                                  LONGING, 2005 DIgITAL PHOTOPAINTINg 21x32 IN. /54x81 CM.
                                                                  DaNCe maCaBre, 2006 DIgITAL PHOTOPAINTINg 31x47 IN. /80x120 CM.
























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                                                                 masters of today
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