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master

                     CATALIN

                     Lives and works in Paris, France

        SEARCH THE ARTIST ONLINE                      www.catalin-art.com


                                                                 L’ECHALIER - PARLEAzUL (LADDER)
                                                                 The Ladder can be metaphor of passage between two distinct worlds,
                                                                 East and west, above and beyond, then and now. The installation, recently
                                                                 on  display  during  the  ‘Nuit  Blanche’,  curated  by  Nicholas  Bourriaud,  is
                                                                 conceived as an initiation passage through an imaginary cloister; thus, the
                                                                 input of the viewer / visitor is of utmost importance. The trip is charted by
                                                                 compositions in which the artist toyed with the significance of the capital
                                                                 letter “P”. The visitor is compelled to follow a route during which he or she
                                                                 successively discovers, as one follows the form of the cloister, different
                                                                 paintings  placed  side  by  side  to  mirrors.  These  reflect  the  numerical
                                                                 projection of each painting, in repetitive manner, and their obsessively
                                                                 repetitive image is in its turn just another reflection of the iteration of the
                                                                 letter “P” in the process of deconstruction – reconstruction of the virtual
                                                                 space. Arriving to the first corridor, one finds at the left the Ladder. After
                                                                 having mounted it and crossed on the other side, one discovers in the
                                                                 center of the court a projector with a fascicle of light pointing above, which
                                                                 stands as a symbol of the experience which is about to commence. The
                                                                 continuum of the experience is bound to create a space within which the
                                                                 freedom of the visitor exists only to the extent where the combinatorial
                                                                 options of the set number of elements can result in different personal
                                                                 interpretations. One must be brave to cross the fence.
                                                                                              Dana Altman, art critic, New York

                                                                 L’eCHaLIer (LaDDer), OCTOBER 2006 LES JARDINS SAINT PAUL, PARIS



























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        ©PHOTOS BY J.M. COUBART
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