Page 90 - Art-in-Israel
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my endeavor is to seek the meaning of life as well as that of
                                                                       death,  a  personal  quest  while  observing  the  immediate
              My works in art touch upon several subjects that have occupied   surroundings  of  life,  various  cultures,  and  the  life  cycle  of
              my thoughts in the past few years, but they all connect, one way   nature.
              or another, with the concept of “present” and “absent” side-by-
              side.                                                    The  main  theme  of  the  “present”  and  “absent”  forms  the
                                                                       connecting  link  among  the  above-mentioned  subjects  as  it  is
              Femininity  is  an  area  with  strong  ties  to  the  essence  of  my   omnipresent  in  our  existence  at  the  very  same  time.  While
              private life as a woman living in a Mediterranean milieu and the   developing the technique applied in my work, I have come upon
              forceful drive to investigate, to define, and reflect inner thoughts   a realm of apparently “unimportant” and dimensionless items
              of women, femininity, motherhood, and the place of women in   that in their being create the “present,” a world that is seemingly
              society.                                                 invisible, a world we are not aware of, but whose impact on our
                                                                       lives  equals  in  every  respect  the  tangible  world.  The  special
              Ecology is the subject I got exposed to as a result of living in a   technique  I  have  developed  has  a  fundamental  material  in  a
              community  facing  warlike  circumstances  and  the  irreversible   horizontal  position.  I  create  the  background  by  broad
              damages of wars. Reacting to them and demonstrating against   brushstrokes  in  diluted  oil  paints.  The  drawing  emerges  as  a
              them took place because of the irreversible damages to nature,   result of using transparent colorless varnishes (trying to capture
              but most of all to the ecology of the region and consequently to   the effect of invisibility) poured onto the wet oils, resulting in a
              the whole world.                                         process  of  non-mingling  with  the  color  material.  When  I  stop
              Life and death: considering that death is an integral part of life,   this  process  I  create  shapes  reminiscent  of  microscopic




                  HORIZON IN AZURE                                              HORIZON IN READ
                  2003 OIL, LACK, VARNISH ON CANVAS CM. 80X80                   2003 OIL, LACK, VARNISH ON CANVAS CM. 80X80






































                                        ART IN ISRAEL                                                                                                                                                                         ART IN ISRAEL
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                                         WORLD OF ART                                                                                                                                                                          WORLD OF ART
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