Page 316 - YGARTUA: Magnum Opus - volume three
P. 316
This is the largest mural of its kind in the world. of the challenge, your brain has to be alert,
Commissioned by Keith and Judy Scott for concentration is at a peak at all times, you feel
the new millennium in the year 2000, it was connected. I find this to be thrilling, exciting
subsequently repainted exactly for a second and more original and the end result is much
time, in the summer of 2012. more satisfying. Murals create a completely
different challenge and a real physical workout.
The artist Paul Ygartua is a master in portraiture Working on large canvases or a large wall
with work featured around the world.
These faces are over 10 feet | 30.5
meters high! This is one of the world’s
largest paintings of its kind, at some
300 feet | 91.40 meters long and 25
feet | 76.20 meters high, featured in
two segments: The south-facing wall is called gives a much more vast appearance of space to
“Beachcomber Salutes the Legends of the expand a visual impact from many yards away,
Millennium”, a collection of faces that have allowing viewing from a distance and visualizing
changed the course of history in the last 100 a finished product. Every artist aspires to paint
years. The west facing wall features a “Salute majestic canvases and no better is achieved
to the Record Breakers”, showing famous faces than painting wall murals. Most of the walls I
of personalities that have changed their sport have painted range in size from 10x15 meters |
through great achievements. 30x50 to 78x90 meters | 25x300 feet.
“The Power of Creation, the challenge is to The challenge is creating the composition in the
influence your viewer to enable others to right proportions at such a large scale. This is
experience the same emotions, the same high approached with a vision of the wall finished
the artist experiences through the energy before you start. You need to see it in your
expressed at the moment of creation. Being mind’s eye just to get the perspective, balance
on the edge–originality, spontaneity, freedom and correct proportions. You must always
of expression. I like to approach the wall as take on the opportunity of working without
if it were a large canvas, it is more interesting a projector, in this manner the freedom of the
and more original to not use a projected image, hand will often bring that third dimension that
more of a fascination, more of a challenge, who you have always been trying to achieve. It is
wants it to be easy. only then when you will actually envision the
I want to experience the energy, the high subject matter on the wall.”
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