Page 141 - YGARTUA : The Work Of A Genius
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the best in Europe, using the church as a backdrop.  Although             The real party though is when fiesta (holiday) weekends

               painting was Paul’s priority during the summer days the evening            occur  over a  few  days  of  festivities.  Anything from live
               was absorbing the catalan culture and the people. Evening would            beach parties, musical bands playing all night and of

               start off at 9pm at the 100 year old Chiringuito (cafe – family            course the famous fireworks can inspire just about anyone
               owned on the Maritim Paseo), where we first would congregate.              to imagine. Life is bigger than everything around you

               First one aperitif before going over to eat at the waterfront              and watching the movement of people walking down the
               Santa Maria restaurant – it was a tradition, and we did that most          famous paseo, all ages from babies to grandparents is real

               evenings.                                                                  European life, it is entertaining and never a dull moment.



                                                                                          For a small town, there is so much, from galleries to
                                                                                          museums to historical buildings, to grand fiestas, and

                                                                                          the great thing is the Catalans are there. It has a culture
                                                                                          of its own, and it always remains the same wonderful,

                                                                                          exciting, fascinating town which inspired me to paint many
                                                                                          paintings. Wherever I am, I paint daily, I like to live in the

                                                                                          country, we are not used to visiting  for a  short time, we
                                                                                          like to experience everything, the culture, the people, the

                                                                                          surroundings, we emerge ourselves completely and enjoy
                                                                                          being part of the local scene.



                                                                                         This has always been important for my work and probably

                                                                                          why my subject matter is so varied; it is the changes
                                                                                          that I like, in countries, in my work. I feel an urge to keep

                                                                                          changing and with our continued travels, having studios
                                                                                          in other parts of the world, it is not only inspiring for my

                                                                                          work but it becomes a buena addiction that I can not live
                                                                                          without.








                MARTINI GIRL SITGES, 1990 ACRYLIC ON CANVAS 48X48 IN. | 121X121 CM.

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