Page 66 - Trends
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                    LEON KUBAssKI

                    Lives and works in pasadena, california, Usa
                                        www.gistgazer.com
              artist contact
                             lk@gistgazer.com
                                                                          neW CreATIOn, 2007 oiL on canvas 38.58x26.37 in. / 98x67 cm.

                                                                                 We are all bond by emotional knots and fetters
                                                                                 of  interconnecting  tensive  obligations  and  all-
                                                                                 embracing energy threads. Energy of affection,
                                                                                 feelings,  attachment,  intimacy,  dependency,
                                                                                 energy of interplay of human microcosms and
                                                                                 overpowering influence of the macrocosm. We
                                                                                 are catenated by subtle links of past or future
                                                                                 interactions,  by  links  and  manifestations  of
                                                                                 omnipotent causality affecting every move and
                                                                                 every event in this world. And I only try to explore
                                                                                 some  of  these  connections,  to  uncover  some
                                                                                 metaphysical  reciprocity  of  the  real  physical
                                                                                 world through interactions of objects depicted
                                                                                 on canvas in virtual situations.
                                                                                 By using understandable elements and recogni-
                                                                                 zable symbols, and, by enhancing conflicts and
                                                                                 relations of those limned objects and personages
                                                                                 to dramatic patency, I try to intrigue and unob-
                                                                                 trusively dispose the viewer to concernment and
                                                                                 active participation in resolving those factitious
                                                                                 conflicts I create in my paintings. I try to inveigle
                                                                                 him into looking for the nature of his deepest
                                                                                 associations induced by picture scene and idea.
                                                                                 And  when  the  viewer’s  own  associations  and
                                                                                 life experience are adequate, my painting may
                                                                                 provoke certain emotional empathy and his intel-
                                                                                 lectual immixture in artificially simulated relation-
                                                                                 ship between characters (objects) of paintings.
                                                                                 Those relations are not blatantly visible, they are
                                                                                 presumptive and probable esoteric connections
                                                                                 of things, powered by assumptive motivations
                                                                                 and  hidden  intentions,  cause-and-effect  event
                                                                                 anticipation.
                                                                                 Each work is devised to be a key to understanding
                                                                                 the reality and viewer’s own relations with it. Or, in
                                                                                 the very least, it can act as a trigger to actuate his
                                                                                 perception to work in different angle altogether.
                                                                                 My paintings are constructed to provoke very spe-
                                                                                 cific reactions and they can usually act on various   TRENDS
                                                                                 levels: emotional, associative, subconscious, intel-
                                                                                 lectual, spiritual. However complexity of picture
                                                                                 meaning and fullness of its understanding both
                                                                                 increase accordingly: from plain emotional grasp
                                                                                 - to deep intellectual-analytical cognition…
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