Page 173 - Museum

Today, in contemporary art, the tragic sedimentation of signs, words, and participation. What should evolve will subsequently devolve. Art
objects, its addition to something that is totally contrary to what it really is changing its own identity: it is becoming a way of a conceptual
is and being less, is due to the fact that art seems to become a perfect communication that just produces effect however, requesting and
surrogate of fiction, an analogical simulation of imitation. Rather than soliciting an effort of acknowledgment that is the exact contrary to the
conceiving forms and images, we presumptuously give form to ideas!, deceitful appearance of its supposed “truths”. This, at the same time,
we communicate a sense or a meaning, without having previously creates difficulties for the artists as well as for the creative management,
understood its content, or, worse still, without having previously singled and definitely creates difficulties for the fruition of shown art works in
it out. Within this progressive exhalation of the artifice, concepts are galleries, museums or alternative spaces. The public should be totally
deprived from their substantial dynamically, consequently and inevitably free to choose “how” to view, in accordance to its real effective needs
producing, an affected effect, rather than the necessary debates and desires.

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