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ANTHONY ELLIOTT


                     Lives and works in Dartford, UK
                                                   w w w.elliot tar t.webeden.co.uk

        I create drawings, songs, paintings, lenticulars and sculptures.  With titles   of arts one minute history as it was being created or read random data that
        such as  ‘Science Will Destroy Religion‘, ‘Jetzt Geht’s Los’, ‘Chance Song   has produced a 3D object.  This gives the viewer a physical and mental
        Paintings‘, and ‘Schitzosputnik’ I look to express my concerns, imagination   connection within a gallery helps to provide the completion for my art.
        and experimentation of how categorised beliefs and power effects the   To sustain the potency in my concepts I keep them as simple as possible
        unpredictable complexity of our relationship with technological progress.   and my creative process is forever fluid.  The quest for knowledge and
        Aesthetically I use traditional and modern methods to engage and involve   the development of experimental and traditional skills is a key part of the
        the viewer.  You can talk to a sculpture then be heard by other people, listen   process.  But fundamentally I feel it is important not to be restricted and be
        to a painting that translates its cycle of shapes into sounds, watch a piece   able to branch out or focus in conceptually and aesthetically.

        Concept:  With the ingredients of light, sound and chance, I simulate an   keys: A, B, C, D, E, F, G. Starting from ‘red A’ in the centre of the painting and at
        everyday experience on a simplistic scale with the use of hearing and seeing   the beginning of the tape, the colour and key follows their chance instructions.
        association.  The paintings and pieces of music are directed by a set of rules   Then continuing again with ‘orange B’ thus slowly creates one flowing line of
        and a twenty-four sided dice.  Each piece of music corresponds with a painting   spectrum colour and musical keys, finishing at ‘violet G’. 1618 René Descartes
        so the viewer can listen while looking at the painting. They are in control of   made a colour music wheel where sound wave frequencies related to light
        themselves, I had no control of what they look or sound like. In a Chance Song   frequencies, this was developed by many other scientists such as Roy De
        Painting there are systematically seven colours which run in this order: Red,     Maistre and Newton. These pieces of art use this concept with in the colour
        orange, yellow, green, Blue,   indigo & violet, which respond to seven musical   and musical key changes.

































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