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ANDRÉ RUSSU


                     Lives and works in Stockholm, Sweden and London, UK
                                                         w w w.ctrl28.com

        In our techno cultural society there is a need for new domains of expression   the gates to a new stratified cultural metaphor and to an eclectic trans-
        that don’t create an outlined limit for the transavantgarde of our day, offering   aesthetics virtual domain, a change of cultural mentality and aesthetic
        endless possibilities to utilize modern technology and communication in a   paradigm that occurs gradually over time. This is an experimental art, which
        community-oriented environment. Opportunities to develop a global art   becomes gradually more elaborate to an almost aesthetic ethos. Molded by
        market where the individual artists are happily divorced from pressures of   optimism in this search for knowledge, in some cases even positive
        the tribal art market. In recent years, the new means of expression are   enthusiasm bears specific features: the rejection of traditional means of
        evolving rapidly and artists are supported for refusing to be trapped in the   expression, such as painting, and a certain uniformism could be the
        predictable scapes or thought schools of the past. Moreover, in these early   exploration of natural or artificial materials in process of art making. The
        years of the digital and virtual a number of web-sessions, online debates   experimentation  of  certain  new  artistic  methods  originate  in  scientific
        have sent significant ideas for the discourse involving terms such as: virtual   techniques or industrial technologies, the interdisciplinary attitude and the
        space, digital manipulation, computer graphics, 3D structures, modules,   specific ideology that wish to shape the natural or social ambient by a
        PDF’s, .JPG’s, resolution, processor, worldwide, dot, com, all of which appear   symbolic configuration of real life materials, or even by merging with
        quite often in approaches made by critics and artists, but also by the   industrial design. This becomes a temptation and an attempt to create art in
        scholars, designers, engineers, architects and artists. It is an opportunity to   everyday life, in “reality” and not exclusively in art terms, these phenomena
        experiment with the virtual art works, objects, and installations designed by   start a big demand to be community-oriented.
        contemporary artists belonging to the new and old generation. This opens                   André Russu, artists, curator
                                                            VIRTUAL SPACE 1, 2, 3, PHOTOGRAPHS, DIGITAL MANIPULATION, COMPUTER GRAPHICS.      


































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                                                                    FAMOUS
                                                                 CONTEMPORARY ARTISTS
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