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HANGING FIELDS – WAR TIME IS OVER
                 MILITARY REMNANTS IN STEEL CAGE, CM. 5000, 2003

                 Military  waste  and  coal  ash  (remnants  of  power  station)  pressed  into
                 steel cages, which provide grounds for planting orchards of olive trees,
                 wine grapes, figs and herbs.
                 By relocating and reshaping military waste such as parts of tents, military
                 boots, fragments of khaki-colored water bottles he is giving them a new
                 meaning and a new “cycle of life”. This is his political and environmental
                 expression of his vision of the verse: “and they shall beat their swords
                 into plowshares and their spears into pruning-hooks” (Isaiah 2: 4).






































               TOTAL ART WITH SOCIAL VALUES                                 computerized  fractal  sketches  limitless  in  colors;
                                                                            changing an electric pole that was once an iron monster
               Uri  de  Beer  is  a  modern  artist.  Like  the  renaissance  artists,  he   into  an  artistic  creation;  and  producing  giant  wall
               combines  diverse  creativity  in  different  media  and  in  integrated   paintings printed like road signs with their origin being the
               modalities.  His  tremendous  engagement  in  environmental   translation of a collage of waste woven onto a texture of
               ecological  issues  along  with  his  interest  in  philosophical  and   dazzling  photographs.  Above  all,  there  is  his  series  of
               mystical  themes  is  projected  in  his  multifaceted  work.  This  has   three-dimensional  sculptures  in  which  he  utilizes
               provided him with exceptional skills, extensive creative options, and   everyday waste and packaging thrown into the dumpster,
               futuristic perception.                                       removes  them,  “recontextualizes”  them,  fills  them  with
                                                                            life, and turns them into a new object and meaning - such
               De  Beer  perceives  the  world  in  spectacular  colors  and  in  a  wider   as  “hanging  fields,”  “garbage  flower,”  “plastiflora”
               spectrum  than  is  customary  in  the  formal  world  of  art.  This  is   (colored garden beds made from plastic bottles placed in
               evident  in  his  work,  which  includes:  taking  an  abandoned  quarry   the center of the town), and others.
               and  turning  it  into  an  awesome  work  site;  creating  a  series  of   De  Beer  was  educated  at  the  Kunst  Academy  of


                                        ART IN ISRAEL                                                                                                                                                                         ART IN ISRAEL
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                                         WORLD OF ART                                                                                                                                                                          WORLD OF ART
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