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DRAGAN MARKOVIC MARKUS
          art now            Lives and works in Šabac, Serbia

                             http://www.artmarkus.com



            About his artwork, Markus says, ”The figure is my deepest choice. This is
            my field of exploration for a possible expression that will realize the unity
            of form and meaning. In my opinion, the image has to carry an energy
            charge that destroys any indifference to the observer and leaves a strong
            impression on them. If that charge does not exist, the image is empty.
            My paintings are a product, a reaction to my life experience, based on
            my experiential relationship with the given reality; my poetics is actually














                                                                   on that dark side of life; personal and general. Maybe my pictures are
                                                                   on the other side of beauty, but I want to express the feeling of horror,
                                                                   fright, the tragic side of human existence. Painting, although created
                                                                   within one direction or artistic influence, is of a deeply personal nature;
                                                                   the search for the meaning of life occurs only within the boundaries
                                                                   of individual self-confirmation. My attention was directed towards the
                                                                   essence of a painting which is observed through a specific prism of
                                                                   personal sensibility, in search for a painting as a personal reflection.
                                                                   During the research and presentation of the works from the “Scream”
                                                                   and “Figure and Space” cycle, I tried to affirm an emotion as a dominant
                                                                   substance of a painting, and thereby as a substance of human existence
                                                                   and survival, regarding the painting as a product of emotional reaction to
                                                                   certain traumatic experiences, both personal and global. One can pose
                                                                   a question if an emotion, in the era of affectation and totalism of digital


                                                                    Head, 2000 acrylic on hardboard 15.7x11.8 in. | 40x30 cm.
                                                                    Red Female nude, 1997 acrylic in canvas 47.2x235.4 in. | 120x90 cm
                                                                   Scream, variant I, 2012 acrylic on cardboard 39.3x27.5 in. | 100x70 cm. 
                                                                   Scream, Variant II, 2012 acrylic on cardboard 39.3x27.5 in. | 100x70 cm.  
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