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LUIGI MAPELLI (MAPO)
          art now            Lives and works in Milano, Italy

                             http://www.artemape.com/


            Mapo is a painter of thoughts and improbable events, a poet of waiting,
            who draws silence by inventing metaphysical horizons. His visions
            come from the culture of the twentieth century, and not only from the
            masters of Surrealism, but also from the painting of absence, like that of
            Giorgio De Chirico; his scenarios of figures and objects so well outlined,
            state the affirmation that life is nothing more than an intermittent
            dream, illusion, perhaps a lie and in any case an undecipherable
            mystery. Questioning himself, he acts with a manipulation of figures
            and objects immobilized in a context of conceptually disconcerting
            elements. His palette is sunny and fluid, loving the same tones as De
            Chirico, or Scipione, while his expressiveness has the unexpected
            gift of considerable formal cleanliness. The silence that envelops
            these precious compositions could also appear as the representative
            intention of a rationality that prearranges the figural combinations








                                                                   according to the schemes and paths of his predecessors of Surrealism;
                                                                   but the brightness and the phantasmagoria of his layers, the deep
                                                                   perspectives and the mise en abîme reveal the irruption of an even
                                                                   more complex and problematic fantasizing, which also feeds on
                                                                   emotions, subjective impressions and, probably, the matter of his
                                                                   own dreams. While defining the boundaries between a probable truth
                                                                   and the existential enigma, he lets glimpse the sounding line of his
                                                                   conscience, and perhaps also the trace of events connected to his life
                                                                   experience. Each of these appearances can therefore be defined as
                                                                   an atom of memory, which has settled in intelligent painting and in an
                                                                   allusive layout dense with symbols and ethical warnings.
                                                                                               Professor Paolo Levi, Art Critic
                                                                    Not named, Computer graphics, Ddigital art 19.6x19.6 in. | 50x50 cm.
                                                                    Not named, Computer graphics, Ddigital art 19.6x19.6 in. | 50x50 cm.
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