Page 117 - Art-In-Vogue

 OcEAN, 2010 SCULPTURE IN REFRACTORY LAND Ø 19.29X7.08 IN. / Ø 49X18 CM.
Delma goDoY  OcEANIA IV, 1997 SCULPTURE IN REFRACTORY LAND Ø 39.37X7.08 IN. /Ø 100X18 CM.
Lives and works in Rio de Janeiro, Brazil  OcEANIA I, 1996 SCULPTURE IN REFRACTORY LAND Ø 39.37X7.08 IN. /Ø 100X18 CM.
THE ARTIST ONLINE www.delmagodoy.com  GALActIcA, 1997 SCULPTURE IN REFRACTORY LAND 31.49X31.49 IN. /78X78 CM.

Epiphany. Other amorphous forms, which force lines and movement that
The esthetic feeling that takes me, when I saw her work, was of that I was compose her creations, take us to something like a dream through the
witnessing something of geodesic, something more than one of the three beauty that lock up. They are circles in plans total, with deeply harmonized
dimensions of our laws. Something related about Time and Space, reaching edges - without losing the Life Motive. That’s the infinite. That has as
the universal; a feeling of reaching the infinite. The birds aren’t birds, and, primordial character, what the man today and always looked for: our origin,
yes, the spirit flies, conquering the infinite space. The movement, yes! our galaxies. That is the origin of life. Her works, I have the impression,
We can say, that the movement sculpture were she creates a textures is cosmic! Doesn’t look like any form that we know about. I can say, in
out of common made her hands, that was the vehicle used to project her a counterpoint, her possess the form. Perhaps the great mystery of our
artistic compulsions, pregnant and rich of universality. Birds that are not origins. Her work is astronomical in spirit and dimension.
birds, but movements that hang in the atmosphere, transmitting me joy, Antonio Augusto Marx, Writer, São Paulo, Brazil

117 Photography by © Marco Morteira. Photography of the Artist by © Nando Costa