Page 272 - YGARTUA: Magnum Opus - volume three
P. 272

Rationally interpreting a work of abstract                     color encourage the flow of instinctive trends.

           art or even just using verbal language to try                The British artist’s compositions aren’t

           and introduce someone to its perception can                   artistic translations of a solid world, but

           become an endless journey. The spectator,                     interpretations       of    the    more      impulsive,

           forced into a purely aesthetic, non-sensorial                 passionate and energetic part of the universe.

           knowledge, risks floundering in informal                      Depending on how this energetic motion

           magma, getting lost in swamps of

           misunderstanding and ambiguity.

          Understanding             the      creative

           mechanisms which lead to artistic

           conception, establishing how the

           artist has transformed intuition

           into pictorial material and reading                           reaches the painter, reawakening his senses,

           the result is always difficult.                               it is changed into tonal orchestration, into a


                                                                         choir made up of numerous voices or into a
          Paul  Ygartua´s  works  are  ideal  for  this  kind            concert with a reduced number of elements.

           of analysis, because we find images of an

           apparently transfigured reality, subtracted                  The painter  doesn’t record  data,  although

           from every formal reference and, consequently,                he starts from a reality observed on several

           from a superficial and impenetrable reading.                  occasions and also reproduced in an objective

          What attracts us is the exasperated chromatism,                way in the past; what he’s interested in now

           which invades the canvas until it dominates it                is the emotional strength transmitted by what

           completely.                                                   is real. Nothing must conform to the real

                                                                         element from which it originated: the creative

          We are enraptured by the chaos of the colours                  combination adheres exclusively to the moods

           that juxtapose thanks to quick brushstrokes                   aroused. The sensitivity with which Ygartua

           or broader touches, created using a spatula.                  perceives things means that not only does he

          But while the spectator sees color as a catalyst,              have the usual capacity to identify general

           for Ygartua chromatics and the application of                 structural properties, but also to discover










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