Page 160 - TOP 10 CONTEMPORARY ARTISTS - Volume 5
P. 160

Michele Macchia’s works have a colossal flaw, if           each have a precise function and adequate thickness.
           you can call it that (sorry for the paradox!): they are    And it’s especially from what comes the pleasantness
           beautiful. This may seem like a joke; indeed it is.        of the work: from its intrinsic harmony.
           But there is a truth at the bottom of the joke: the

           beauty of  Miche Macchia’s work and the sympathy           Let’s start with the shape. The directions of the shape
           that they inspire, risk hiding from the eyes of a          are at least two (but each of them branches off in other
           hasty or  superficial  observer  the  profound  thought    possible proposals): one that respects the trend of the

           that his painting conceals and reveals at the same         natural lines of the material and recovers the figure
           time:  it  conceals because - as we are saying -  the      with an attempt to give suggestions by thinning the
           pleasantness of the vision attracts the attention of the   forms; that is the figural assembled, where assembly is
           observer; and reveals, because if you look carefully       in itself a constructive operation that puts in progress
           at these works, they reveal a conceptual structure of      needs and perspectives mostly unedited. And in doing

           extreme interest, which is possible (indeed necessary)     so, they also discover that those differences were
           to identify ”within” the harmony of form. Indeed,          not completely skewed between them, but perhaps
           it has a logic that guides it, a logic that could be       derived from common roots and complementary

           defined as the logic of ”Usual different”. But let’s go    instances. And this also explains the fascination that
           in order: the levels in which Michele Macchia’s work       this painting by Michele Macchia exercises on our
           is  structured  are  substantially  three:  the  form,  the   taste: there is a sort of mystery finally revealed, as if
           thought, the state of mind; and they are (it must be       what was inside of us and it remained unspoken was
           acknowledged) equally distributed: as a whole, they        finally said by the artist to us with sufficient clarity,














































          TOP CONTEMPOR ARY ARTISTS  VISIONARY, 2015 ACRYLIC ON CANVAS 39,3X27.5 IN. | 100X70 CM.









           WHITE ROBOT, 2011 ACRYLIC ON ADVERTISING ON CARDBOARD ON CANVAS 120X80 CM.

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