Page 157 - TOP 10 CONTEMPORARY ARTISTS - Volume 5
P. 157

intellectual paucity and cultural flatness that surrounds   that leave the audience amazed and at the same time
           our species in recent years, extolling the triumph... of   moved. Here we admire, therefore, in a diametrically
           nothingness, of the visionary, that Roy Lichtenstein and   opposite way to the primary stylistics evolution already
           in some ways Andy Warhol himself, addressed in his         noted, a sort need for a dream, a closing of the eyes

           analysis to degradation of the content and consumption     and ears, introspection to the depths of our psyche.
           of the image, intended, precisely for its  nature, to a    Chromatic research, wonderfully successful attempts at
           quick exhaustion of all the fragile and evanescent myths   sound, light, nothing left to philosophical rationalism, to

           typical of our age.                                        geometric calculus, but indeed, the graphics seems to
                                                                      get out of the hands of the artist Michele Macchia, and
           Then, as magic, there are other works that seem to be      fly independently towards horizons far from our mind.
           performed by another person, from another sensitivity,     How much symbolism, how many hidden meanings are
           with a vision of the imaginative that has to do nothing    expressed by these images... we could write a thousand

           with the Art, just analyzed. They are metaphysical images   interpretations, a thousand points of view on the various
           that sink into a high-impact surrealism chromatic and      contents of this artistic expression. But the common
           morphological, to the point of bordering on the orphism    denominator of  all this, I believe to be only  one: the

           of Robert Delaunay, in which they blend harmoniously       eternal dualism of all our existence, the ”form and
           and with great innovation, cubist elements mixed with      substance”, an Aristotelian ”sinolo” illuminated by the
           rhythms of colors, fluid shapes of great kineticity, flying   demiurge element, by the ”nòesis noèseos”, the Pure
           dragons and stylizations  of  masks of  Benin  culture,    Spirit. His artistic expression is a dialogue between
           ancestral reminders of an intellectual and spiritual path   meditation and dynamics existential.

                                                                                                              Lucia Bonacini,
                                                                                              European president of art critic



















































          WONDERFUL MACHINE WAR, 2017 ACRYLIC AND PAPER ON CANVAS 100X150 CM.


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