Page 56 - Museum
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BLUE INCEPTION, 2014 ACRYLICS ON CANVAS 37.5X59 IN. | 95X150 CM.
The art historian and art critic, Flora Rovigo reflects on Ygartua
works, styles and directions with comments depicted in his
Florence Biennale book “Primordial Chaos” (excerpts).
Rationally interpreting a work of abstract art or even just using verbal
language to try and introduce someone to its perception can become
an endless journey. The spectator, forced into a purely aesthetic, non-
sensorial knowledge, risks floundering in informal magma, getting lost in
swamps of misunderstanding and ambiguity. Understanding the creative
mechanisms which lead to artistic conception, establishing how the
artist has transformed intuition into pictorial material and reading the
result is always difficult.
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