Page 60 - The 60.Venice Biennial & MoMA issue of WOA Contemporary Art magazine

CREATIVE LABORATORY ANGEL WITH BLACK WINGS / SELF-PORTRAIT, 1992 PHOTO INSTALLATION, SAFE DEPOSIT BOX,

SANDPAPER, PHOTOCOLLAGE 11.8X17.7 IN. | 30X45 CM.
LUMINOUS , 1992 /2010 PHOTO, PHOTO INSTALLATION WITH ICE AND LIGHT, PRINTED ON
PLEXIGLASS 23.6X31.4 IN. | 60X80 CM.
PAINTING IN RED, 2010 PHOTOGRAPHY 23.6X31.4 IN. | 60X80 CM.

MYSTIC WHIRLING 6, 2010 PHOTO, PRINTED ON METAL PLATE 19.6X19.6 IN. | 50X50 CM.

STILL LIFE, 1997 PHOTOGRAPHY 19.6X23.6 IN. | 50X60 CM.

AASE-HILDE BREKKE
Lives and works in Oslo, Norway
http://www.taramedia.no/

I believe that every moment has a special quality, and my content, are the moments where everything vibrates and
task as an artist is to wait until the moment reveals itself simultaneously stands still. Valuable, silent, extraordinary
to me. That’s why I only take ‘one shot’ of a subject with streams of consciousness and glimpses of truth.
my camera. In this precious glimpse, a vision, a message In this way, I try to communicate with the world around
is created. It’s as if the art creates me, not the other way me, and I feel very fortunate as an artist: I am simply giving
around. I am merely a spectator. an offering back to the life that supports me. With all its
Art represents possibilities and glimpses of emptiness that shadows, sorrows, and pain, hope, dreams, and joy, people
are the gates to heaven and sometimes to hell. The moments, have the ability to change direction because we are a part of
the spaces that exist ‘between something’ and ‘something life itself. - That’s why I consider art to be a life-supporting
else’, where reality shows its inner beauty and mysterious ritual. (Aase-Hilde Brekke)

60 WORLD of ART