Page 77 - Masters
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master

                     TYR

                     Born Thierry Mortier lives and works in ghent, Belgium

        SEARCH THE ARTIST ONLINE                        www.semiotic.tv


        preoccupied  with  semiotics  and  the  simplicity  of  aesthetic  beauty,  or  the   the seeming emptiness of the image. and not to expect more. for the image
        aesthetic beauty of simplicity. Tyr searches for the instinctive beauty in his   alone is enough. no more paintings of the old riches. no more ecclesiastical
        paintings  and  work.  “J’ai  envie  d’un  art  simple”.  painting  only  what  (he   commissions. religion is dead and our euro-western property has become
        believes) is needed in an image combined with a need for immaculate lines   virtual. you are what you own no longer applies in these modern times. the
        and finishes, his paintings tend to be borderline graphic.  globalization of the net has projected all of us into the public domain. today
        “Every portrait that is painted with feeling is a portrait of the artist, not of the   we will more likely inherit internet domains than actual (tangible) property.
        sitter.”(Oscar wilde) ... stating the obvious? it’s all about the image. just the   new  perspectives  get  imposed.  even  “big  brother”  has  become  a  family
        image. there is no need for emotion in aesthetics. beauty cannot be defined   friend. it’s no longer a problem. we are starting to see what we couldn’t see
        in those terms. she’s inherently incapable of having feelings. they are left to   before. we are contented with the illusion of property, the illusion of privacy.
        the spectator. as such the paintings can maintain their simplicity. clean ... and   we touch upon the untouchable. and we are no worse off for it. today the
        cold. still. there is no escaping Mr. wilde’s theorem. every portrait painted   image can be empty. the illusion suffices. figuration is the new abstract. (not
        without  feeling  might  just  turn  out  to  be  a  portrait  of  the  artist  as  well.   that it wasn’t abstract before, we just didn’t see the meta-reality it actually
        perhaps portraits are not meant to be of the sitters.    represents. semiotic architecture). (r)evolution is upon us. our personal space
        “The true mystery of the world is the visible, not the invisible” ( Oscar wilde).  is growing inwards. we are reaching new realities, perhaps a little less full
        one  needs  vision  to  “C  true”.  to  acknowledge  the  depth  of  the  human   (depends  on  the  interpretation)  but  not  less  real.  on  the  contrary.  we  are
        surface.                                                 starting to see the visible. starting to unravel the mystery.

         IreNe, 2004 ACRYLIC ON CANvAS 31x23 IN. / 80x60 CM.            B52s OVerHeaD, 2006 ACRYLIC ON CANvAS 40x25 IN. / 100x65 CM.   


































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                                                                 masters of today
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