Page 54 - VICTOR HAGEA : Amazing
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Victor  Hagea’s  painting  The  Window  Of  Heaven         The Window Of Heaven is about coming to terms

             (2005)  shows  a  most  puzzling  ascending  body  in       with  these  matters,  and  the  painting  itself  is  also

              slow motion and dramatic raccourci – almost like a         about being or not-being winged. The image is an
              bird. This makes one think that the painting is about      intense  meditation  upon  the  fall  which  apparently

             the flight towards Heaven. This dreamy, pneumatic           left mankind wingless. This is emphatically expressed

              body, wrapped like an angle in its opaline, iridescent     in  the  painting  in  the  juxtaposition  between  the

             folds, places us unmistakably beyond any physics –          winged goddess Nike, and the wingless human hand
              straight into a meta-physical realm.                       holding  the  ephemeral  laurel  of  victory.  Human

                                                                         being is a dreamy being, constantly aiming towards


             What is the nature of this space? What is the substance     the beyond, searching to cross the threshold (window/
              of such body? Which body could defy gravitation            gate) to Heaven, and eventually regain the original

              with  the  grace  of  an  angel?  These  are  of  course   imponderable body, which matches the substance of

              rhetorical questions, but real challenges for the artist,   air in paradise.

              in which dream, air and imagination are at work in
             the making of image. Air and dream are for Gaston          Among elements, in Bachelard’s material imagination,

             Bachelard, the French philosopher, the paradoxical          air concerns most the soul’s motion. According to

              matter of imagination, and the nature and spiritual        him, the nature of soul is motion. And it is precisely

              dimension of the soul. It is perhaps here that Victor      this  airy  motion  which  mystically  seems  to  move
             Hagea’s vision should be inscribed: in the imaginative      upwardly  the  body.  Rather  than  moving  itself  by

              aspiration of man towards the flight – le vol –  which     itself, the body is being moved, as if being carried out

              has never deserted its inner most soul since the fall.     by the aspiration of the soul, the soul’s attraction to

             The dream of flight is the archetypal image of the soul     God. At the same time, an invisible force seems to pull
              in its ascensional motion and desire to overcome the       it upwards – God’s breath pulling on the soul. This

             loss of wings.                                              vision brings to mind the powerful image at the ends

                                                                         of times: “Then we which are alive and remain shall

             But as Bachelard writes: “I will therefore, postulate       be caught up (pulled up with force; Greek haireomai)

              as a principle that in the dream world we do no fly        together with them in the clouds to meet God in the

              because we have wings; rather, we think we have wings      air (Thessalonians 4.17)

              because we have flown. Wings are a consequence.
             The principle of oneiric flight goes deeper. Dynamic       Nicoletta Isar

              aerial  imagination  must  rediscover  this  principle.”   25th September 2008

             (Air and Dreams)



              54      lA fenêtre dU ciel 2005 HUile SUr toile 32x24 in. /82x61 cm.  tHe WindoW of HeAVen 2005 oil on cAnVAS 32x24 in. /82x61 cm.  
                      HimmelSfenSter 2005 Öl AUf leinWAnd 32x24 in. /82x61 cm.
                       fereAStrA cerUlUi 2005 Ulei Pe PAnzA 32x24 in. /82x61 cm.
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