Page 51 - VICTOR HAGEA : Amazing
P. 51
WindoW
Window is a spectacular vision unveiled by
a huge reflective metallic curtain, which
occupies half of the picture plan. Paradoxical
in its unusual appearance, this metallic silk
curtain opens up the picture’s stage like a
dream. The vision is the other half of the
picture, but one could say that the whole
picture is the window in which a Venetian
vista is revealed. Here is the usual romantic
bridge crossing those Venetian “calle,” as
if crossing the time, the gondola. But what
really catches the eye like a magnet is the
enigmatic body of the lady in crimson in the
foreground – a rubicund vision amplified
and reverberated in the reflective squares
of the folded curtain. Carmine highlights
pierce the metal, intensifying the magic
view of this passionate body. Indeed, her
sanguine dress evokes the whole pathos
which makes her gaze languish, her lips
move with sensual desire. She holds at bay
the Venetian passion, she is a figure of love,
death, and fluid desire.
It might be interesting to note also that in
this dreamy and spectacular composition,
the reflective surface of the metallic curtain
meets the liquid of the canal – as if in a
chimerical vision. It is in this cone of
vision and encounter between these two
A Crimson Vision
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