Page 81 - Genius
P. 81

The ever-growing audiences, who are drawn to
        and moved by the work of leon Oks, have no
        doubt an interest in leon Oks the man, and the
        genesis of what we see and try to understand
        about the power of his work and its emotional
        impact.

        Unlike many young people in today’s digitalized
        changing  world  who have  problems  finding
        themselves,  leon Oks knew very early in a
        childish, formless way what excited him and
        gave him a feeling of intense joy and pleasure.
        Not yet old enough to really understand,
        he looked at the world around him and was
        captivated in a way that leon vividly remember
        but  find  hard  to  describe.  The  colors,  the
        compositions of nature’s beauty, the faces on
        bodies, the light and the dark, all touched little
        boy’s heart and he knew even then that his
        passion for creating art was implanted.

        leon was born in a small Ukrainian town of
        Zhitomar in the former Soviet Union. He was one
        of three siblings (one older sister and a younger
        brother). In 1941 when he was two years old,
        his father was inducted into the Soviet army
        and was soon killed in the line of duty.  His
        surviving family (including grandparents) was
        uprooted from their modest, small house in
        Zhitomar and forced to flee over and over again
        to safer unoccupied places (which soon became
        unsafe). Family endured constant instability and
        frustration in a dreadful, hopeless World War
        environment.
        In 1945 the war was over and they were able to
        return to a little house in Zhitomar.  It was during
        those postwar years (when he was six) that he
        began to draw and paint at night in the kitchen,
        which became  his nocturnal  studio while  the
        family was asleep.

        As he grew and matured his need to create
        art became inevitability. Without instruction,
        he started copying the masters from the small
        collection of art books in his home as well as
        from the paintings in the art museum. These
        pictures, their power silently transferring to his
        hand, became his first mentors

           Dream oF sprinG, 2009 OIl ON CANvAS 36x30 IN.
        /94x76 CM.
        at niGHt, 2009 OIl ON CANvAS 36x24 IN. /91x60,5 CM.   
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