Page 110 - Genius
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eMil bakalli

                     lives and works in briarwood, New york, USA

        SEARCH THE ARTIST ONLINE                      www.emilbakalli.com

        The aim of my work is to penetrate into the very condition that I am   my lines; its vitality emerges in my paintings so as to render the invisible
        trapped in, into the very rift and situation that I am situated in my milieu   rhythms visible. but even more so, my eye “captures” and “isolates” the
        or in the mode of how I experience and perceive the Things that make up   ubiquitous temper of crowds’ steps amidst the paths of New york City,
        my environment. I “abstract and distill my experience” as being a part of   through which my work evolves and where my thoughts and experiences
        a condition, of a lively plexus, and of spontaneities or occurrences in the   find a dynamic familiarity of form and line: this is the ground of my
        reality-of-being-there. I am a part of this reality and yet, I am not fully it;   painting’s surface. In other words, my artistic rupture takes place in a
        i.e., I am still I as long as I am the wondering and gazing eye.    locality that is enveloped in the presence of a condition. It is the very core
        The inspirational sources of my visual information are people and   of this condition-experience-involvement that my art has evolved and
        continuously changing sequences-instances immerging and dissolving   engaged itself as a form and also, let me say; my art is the manifestation
        from the public surroundings of a city life like New york (like my daily   of this milieu of technological shattering speed; of vibrancy and force,
        subway- ride with its colorful wave of overlapping and altering images),   of sensation, of simultaneously emerging and dissolving realities that
        where instantaneous forms dissipate; thus, leaving behind tensions   pass-by me and yet are connatural or build-in-me.
        and the mere traces of events as they happen. The crowd is a walking   Another way to put it is that, my painterly and performative act of self-
        silhouette and yet, it becomes the flesh of my colors and the contour of   affirmation springs from a sober condition of an ecstatic joy of my visual
           DiVerGenCe-sHatter # 1, 2009 OIl ON lINEN 36x34 IN. /91x86 CM.     DiVerGenCe-sHatter # 4, 2009 OIl ON lINEN 36x34 IN. /91x86 CM.







































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