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UNTITLED, 2004 ACRYLIC ON CANVAS 207X154 CM. / 81X60 IN.      
                                                    FRAGILE, 2004, ACRYLIC AND AQUARELL CRAYON ON CANVAS, 210X152 CM. / 83X60 IN.
                                                    UNTITLED, 2004, ACRYLIC, CRAYON AND ADHESIVE TAPE ON CANVAS, 155X223 CM. /61X88 IN.



        FRAGILE
        What does it means to be a human being nowadays?
        This is the question put by Milena.

        We are nowadays permanently surrounded by
        advertisements, notices, sign-posts, different signs
        for better traffic circulation, and  instructions how
        to use each product no matter how banal it may be.
        The artists “borrows” the form of those  signs from
        her environment in order to create new, her own
        signs whose visual power serves as an alarm for
        humanity.

        In their constant wish to introduce order into everyday
        life, people do not realise that they stop the natural
        process and development of life, underestimating
        their own ability of orientation. In a subtly ironical
        way, the artist points to the fact that people nowadays
        have become a product, imposing on themselves
        rules such as waiting in a queue for instructions and
        permissions to meet their basic needs. In the power
        of her sensibility, she sees those instructions as an
        attack to human individuality.

         People are reduced to “traffic signs”, without identity.
        Following frantically the rules of living, people become
        products of their own factory.

         Milena’s people are reduced to basic lines in order
        to warn us that our identity disappears slowly for the
        sake of general unification. The power of red colour as
        a symbol of freedom of emotions is present to remind
        us of human vulnerability and fragility.
        The humourous is mixed with the dramatic, the
        juvenile with the frightening, the innocent with the
        hellish, spontaneity with mature consciousness. It is
        owing to this brutal and impulsive aspect that Milena’s
        work is deeply humanistic. Milena wrapped people
        into  bands  FRAGILE,  wishing  to  protect  them.  Her
        work is S.O.S., the last scream supposed to wake up
        human consciousness.
                                      JANJA KRALJ

                                                                    FAMOUS
                                                                 CONTEMPORARY ARTISTS
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