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with literary sources, particularly evident in his “Love, Sex, and Death” erotic-to-tragic novels through 100 unique hand-painted engravings. This
series inspiration from Giovanni Boccaccio’s “Il Decamerone.” These technique, combined with his thematic focus, results in works that are
works, rich in narrative and human experience, provide a fertile ground both visually striking and deeply thought-provoking. His representations
for Russu’s exploration of the human condition. As his work evolved, of Eco’s “The Name of the Rose” and “Foucault’s Pendulum” further
Russu also found inspiration in the ancient Roman novelist Apuleius and demonstrate his ability to translate complex literary themes into
his novel “The Golden Ass,” as well as in the writings of Umberto Eco, compelling visual art.
particularly “The Name of the Rose” and “Foucault’s Pendulum.” These Throughout his career, Petru Russu has around 200 individual and
literary influences are woven into the fabric of his art, creating a tapestry international exhibitions, showcasing his work in museums, public,
that is both intellectually stimulating and visually captivating. corporate, and private collections. His art, marked by its intellectual depth
Petru Russu’s unconventional method of etching in aqua-tinta-aqua-forte and technical mastery, continues to captivate audiences and provoke
is particularly noteworthy. In his “Decameron” series, he depicts 100 thoughtful reflection on the human experience.
The Name of the Rose series, 1987 oil on linen 47.2x47.2 in. | 120x120 cm.
The Name of the Rose series, 1987 oil on linen 47.2x47.2 in. | 120x120 cm. The Name of the Rose series, 1987 etchings 11.8x7.8 in. | 30x20 cm.
The Name of the Rose series, 1987 oil on linen 47.2x47.2 in. | 120x120 cm. The Name of the Rose series, 1987 etchings 11.8x7.8 in. | 30x20 cm.
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