Page 55 - YGARTUA: Magnum Opus - volume three

continue on through Paul in a larger singular achievement. Never before have

format and adorn the walls of patrons we seen the Indians of North America

all over the world–bringing awareness so close to the origins of their humanity,

about and appreciation, encouraging the their sense of themselves in the world,

education of informing the public the their innate dignity and self-possession.

importance and value of our natives and These photographs comprehend more

their folkloric customs. than an aboriginal culture, more than

a prehistoric past - more, even, than a

Edward Sheriff Curtis, American venture into a world of incomparable

photographer and chronicler of beauty and nobility. Curtis’s photographs

Native American peoples whose work comprehend indispensable images of

perpetuated an influential image of every human being at every time in every

Indians as a “vanishing race.” place. In the focus upon the landscape of

the continent and its indigenous people,

The North American Indian was perhaps a Curtis photograph becomes universal:

the most ambitious publication ever N. Scott Momaday, a leading voices in

undertaken by a single man, and it was modern Native American literature.

widely hailed as a landmark in American

publishing history. In 1911, the New York It seems that there is a force, a guiding

Herald said that it was the most gigantic hand that is instrumental in his search for

undertaking since the publication of the subject matter (since 1970), that inspires,

King James Edition of the Bible. Taken as influences and motivates Ygartua in this

a whole, the work of Edward Curtis is a direction it is interminable.

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