Page 48 - YGARTUA: Magnum Opus - volume three
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Edward S. Curtis, American Photographer dedication to present our natives with dignity
and Ethnologist whose work focused on the and to stand up for the rights of our First People.
American West and on Native American people. I have painted nearly all of Curtis’s studies, the
The Vanishing Race by Edward S. Curtis most eloquent record on our native people (from
(1904). He sought to document the assorted 1974 until present day 2020). When painting
tribes fearing the imminent disappearance of the natives, our First People of the World it
America’s first inhabitants.
“Edward S. Curits’s photography of our
North American natives was brought
to my attention by my wife Joanne, in 1974. is often in the form of a visual statement, it is
It was not my first introduction to our native motivational, it is important. Over the years
people of North America, but it was the first it really seems that a guiding hand is directing
time I contemplated them as a subject matter. I me to create a tableau, a record of character
never considered myself as a portrait artist, but portraying the Nomadic People of the World.
I have always been drawn to the story behind It seemed that some instinctive and natural
the face, the history, the emphasis on capturing inquisitiveness drawn from my Basque Heritage
the power of their presence. I was intrigued with - which is one of the oldest known ethnic groups
Curtis’s lifestyle, crossing America, camping in the world - was acting as a force which
outside the native reservations, awaiting for impelled me to seek out those fundamental
them to come, anticipating their curiosity and values which are the root foundations of all
interest to trust him enough and permit him civilizations.
to photograph an historical record of our First This painting is a Tribute to Edward S. Curtis,
People of North America. through his important work, recording the
history of the North American Natives it
With reference to my own Basque Heritage, I furthered my understanding and fascination
have always had empathy and compassion of our world–it took me on my own journey,
for one’s sacred right to preserve and cherish seizing the opportunity to record our natives
their heritage. It is like an endless passion and across North America. In Arizona I painted
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