Page 34 - YGARTUA: Magnum Opus - volume three
P. 34

The artist who captured Paris’

           Cabarets and Dance Halls Henri

           de Toulouse-Lautrec was a  French

           painter,  printmaker,  draughtsman,

           caricaturist, and illustrator whose immersion                 kicking dancers with their layered petticoats

           in  the colourful  and theatrical  life  of Paris             and plumed hats remain among the most

           in  the  late  19th  century  allowed  him  to                popular and striking images of modern art.

           produce a collection of enticing, elegant,                    (The Musee d’Orsay-the largest impressionist

           and provocative images of the modern,                         art collection in the world, located on the left

           sometimes decadent affairs of those times.                    bank of the river Seine, 7th arrondissement

          Toulouse-Lautrec  is among  the best-known                     of Paris.

           painters of the Post-Impressionist period,

           with Paul Cezanne, Vincent van Gogh and                      “Enthralled by the history of the City of Lights

          Paul Gauguin. The scene Lautrec stepped                        and surrounded by all that could enchant the

           into was in the working-class district known                  eye and enrapture the imagination, it is no

           as Montmartre, notorious for its thieves and                  wonder that artists from around the world

           brothels as well as its hangouts for avant-                   want to experience painting and being there.

           garde artists and literary anarchists.

                                                                        “Throughout the years, the life story and

          Within a decade he would be famous for his                     the wonderful figurative work of Toulouse-

           spectacular posters of the Moulin Rouge                       Lautrec made a life-long impression upon

           and  other  Parisian dance halls. More than                   me–his work captivated you, taking one to

           a century later, his black-stockinged, high-                  another epoch. I just imagined that I was in










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