Page 332 - YGARTUA : The Work Of A Genius
P. 332

before they went to Germany, before the All Stars Club, Hamburg,           your feelings and your ideas. The power of creation. The challenge
               before they became famous.                                                 is to influence your viewer, to enable others to experience the same

                                                                                          emotions, the same high the artist experiences through the energy
               Of course you are influenced by everything around you. First time,         expressed at the moment of creation. High energy, imagination,

               I met John Lennon in the Crack Pub near the art school, during a           freedom of expression through experimentation and challenges to
               drinking contest, a  pint of beer in less than four seconds, we were       achieve a completely original thought; to re-create original  thought

               watching together and I said “How do you drink a pint in 4 seconds”        with a three dimensional form to enable the viewer to experience
               and John said “Not me” I used to walk  with John down from the             the emotion and passion through the artists’ recreation, to capture

               Liverpool Art School to the Cavern where they used to jam at lunch         that moment  in time whereby the artist and viewer are one.
               hour. I used to reserve a table at the Grapes for the group otherwise
               there wouldn’t be a seat for them; I liked George, he was very             WHY  DID YOU  CHOOSE THE  MURALS AS THE  MAIN WAY  OF

               sensitive and very nice, at that time Pete Best and Stue Sutcliffe         EXPRESSING YOUR ART?
               played in the  group before Ringo.  Influence came from being in           Murals give you Public Exposure, it is another form of expression,

               a melting pot and an environment of nothing was impossible. This           larger, more challenging. Exposing the public to a large format gives
               lasted for about seven years and deep down you knew it was                 the artist international exposure through one work of art. It is in the
               special and now reflecting back it was the best years in retrospect,       public domain, a permanent fixture, it is monumental and impressive.

               those times people were obsessed with music and Liverpool was              Domed Ceilings and Murals create a completely different challenge
               the greatest and we lived through it it was special.                       and a real physical workout. Working on large canvases or a large

                                                                                          wall  gives a much vaster expanse  of space  to expand  a visual
               ANOTHER INFLUENCE COMES FROM THE AMERICAN NATIVES. WHY                     impact from many yards away, allowing viewing from a distance
               DOES A BASQUE FROM LIVERPOOL START PAINTING MURALS ABOUT                   and visualizing a finished product. Every artist aspires to painting

               AMERICAN NATIONS?                                                          majestic canvases and no better is achieved than painting wall
               In  the  early  70’s  I  started  painting  the  North American  Native,  I   murals. Most of the walls I have painted range in size from 30x50 to

               found strength and a passion of a race struggling for their identity       25x300 feet. The challenge is creating the composition in the right
               similar to the Basque People of northern Spain. These influences           proportions at such a large scale.
               dominated my work for many years; even today I still feel a need to

               create with a passion and strength that captivates your mind and          This is approached with a vision of the wall finished before you start.
               soul. I like to stir one’s emotions; I like my patrons to feel this energy   You need to see it in your mind’s eye just to get the perspective,

               that runs through me.                                                      balance and correct proportions.  You must always take on the
                                                                                          opportunity of working without a projector, in this manner the
               INFLUENCES AND INSPIRATION KEEP  CHANGING AND RENEWING,                    freedom of the hand will often bring that third dimension that you

               OF COURSE, BUT WHAT IS IT YOU WANT TO EXPRESS WITH YOUR                    have always been trying to achieve. It is only then when you will
               PAINTINGS?                                                                 actually envision the subject matter on the wall.

               There is energy, a high when creating. When you are influenced by          I always ask for the surface of the wall to be ready and prepared
               everything around you, whether it is the people in the world, their        ahead of time and like to sketch the face the first day and the next

               culture or nature itself, it is emotional and personal. It is these        day I paint it. I work straight eight hours and am intense on finishing
               emotions that one tries to express, an inside view of your thoughts,       the sketch the first day, this way you don’t lose sight of what you






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