Page 41 - Watercolor
P. 41
AfTER ThE RAin
1998 WATERCOLOR CM. 22 X 22 / in. 8½ X 8½
symbolism, deliberated and up the picture or it is easy; make
inferred, operates along with attempts at imitating the glossy igia Podorean’s refined
the creative process, which is surface of oil paintings. Lwatercolors witness her ability
slow, elaborated, mental, to capture every single shade of
experienced and, thereby, igia Podorean is also an light and the moistness of the
invaluable. Larchitect and yet, she avoids misty atmosphere of the North.
The outlines of the architectural
the rigid lines and the strict
Amelia Pavel | Art Critic perspective; instead, she creates elements are blurred in a haze
a subtler inner structure in her of light and water, giving an
compositions. Her soft, ethereal instant touch of Scandinavian
THE SYMPHONY shades mingle in a symphony of atmosphere.
colors whose character alters from
Of COLORS one season to the other, or from hat we see here now are
one moment of the day to the other. Wexhibits of great value for
The strokes of Ligia Podorean ‘s today’s world of art.
igia Podorean’s watercolors brush are swift and spontaneous
Lshown here are proofs of and they meet the onlooker’s eye Adrian-Silvan Ionescu,
her extremely clean and clear with their unique novelty. Ph.D., Art Critic
technique. In general, to muck
WATERCOLOR LIGIA PODOREAN-EKSTRÖM 41
