Page 19 - Watercolor
P. 19

sun And RAin (nEvE)
                                                                      1991 WATERCOLOR CM. 20 X 25 / in. 7¾ X 9¾, pRivATE COLLECTiOn sWiTZERLAnd


                 er oil paintings and watercolors      he is attracted by real life and loves   pleasure and aesthetic delight. Light
            Hobviously unite the objectivity  Sthe exact fact. Although the details         and color have given her a
            and precision of the architect who      she ‘observes and notes down are        spontaneous and creative impulse.
            discovers, “builds” and changes the     sometimes minute, they do not           Visual perception and emotion are
            landscape, with the talent of the       exclude the spontaneous creation or     prevailing in her work. They have
            artist who has a keen eye for color.    casual and imagined particulars. In     raised her liberty of creation to an
            The outcome of this combination is      order to define the painter’s aesthetic   aesthetic and technical artistic ideal.
            an original, expressive and highly      outlook we have to start from the
            personal style. It is the watercolor    visual truth, the perception which is      he discovers and sees in nature
            technique she prefers, because of its   conveyed to the artist through her      Sonly what she is interested in and
            fluidity and transparency better        senses.                                 what she feels drawn to. At the same
            suited to rendering and suggesting                                              time she is inclined towards synthesis,
            the northern light and colors. In           igia Podorean was born in           rejecting a too insistent analysis
            defining her work which is being        LRomania, in a mountain village of      (synthesis belongs to art whereas
            more and more appreciated, we may       Transylvania. She studied architecture   analysis belongs to science). She
            stress her gift of catching the         in Bucharest. From the plastic          applies those artistic laws of necessary
            natural effects of light through clear   viewpoint she is inclined to use pure   relations between objects and color
            colors and of rendering the specific    colors, without being preoccupied       and, like Diderot, thinks that the idea
            local character significantly and       with matter, volume, line or outline.   of beauty is the perception of these
            truly.                                  Her only concern is with her own        relations.

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