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 BATHers, 1978 OIL On CAnVAs 36x28 In. /91x71 CM.
MICHeLe, 1974 OIL On CAnVAs 36x24 In. /91x60 CM. 

monuments and a series of 78 ink drawings, 18x24”, titled EXISTENTIAL His familiarity with sculpture brings solidity, structure and weight to the
ANATOMY which dismantles and reorganizes the elements of traditional playfulness of his designs, contributing to a pulsing feeling of primeval life.
anatomy in a symbolic,satirical and philosophical fashion. Sindin Gallery Exhibitions in NYC, Dallas, Chicago, Washington, Texas and Paris. Work
in NYC made a volume purchase of drawings and watercolors. Paintings owned by playwright Eugene Ionesco.
and sculpture catalogued by Museum of Modern Art in NYC.
(2002-2005) – This period sees David returning to themes related to
Abstract Period (1981-2002) – Full-time abstract painting; dialectics of actuality (the Flags and Towers), as well as to nature, landscapes, the
biomorphic forms, texture, colors, and “negative space”. Considered by elements and even some American landmarks. (Reflections,sunsets,
Newman the pinnacle of his imaginative achievement where you pursue seascapes, volcanoes etc.) Although varied in style from the geometric
the essence of a thing with the mind rather than the eye. Reluctant to to the abstract, a unifying thread of bold color, rich texture and dynamic
feel locked into a painting without escape from the pervasion of color, he energy defines this period.
pierces perspectives that allow the onlooker his own exploratory space.