Page 127 - TOP 10 CONTEMPORARY ARTISTS | Vol 8
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anchored in intricate layering and dynamic textures,       and pollution, highlighting the vulnerability of Earth’s most
           transforms each piece into an experience, something to be   essential resource.
           felt rather than merely observed. The duality of fragility and
           endurance permeates her oeuvre, revealing a sophisticated   Gagic’s mixed media approach seamlessly integrates
           interplay of elements that mimic nature’s rhythm.          photographic elements and digital enhancements, allowing

                                                                      the compositions to transcend traditional artistic boundaries
           The Water Series is a poetic meditation on water as both a   and take on a near-dreamlike quality. The result is a collection
           sustaining force and a vulnerable entity. Within this collection,   that speaks to both the intellectual and emotional cores of

           Gagic crafts compelling narratives where water is depicted   those who encounter it, compelling them to re-evaluate their
           in  various  states,  fluid,  disrupted,  reflective,  and  silent,   relationship with nature.
           each composition serving as a metaphor for the precarious
           balance between human intervention and environmental       The Buddha - Kauai Paper Series reflects Gagic’s fascination
           preservation. Her ethereal color palette, ranging from muted   with the tactile and sculptural qualities of paper as an artistic

           tones to bold contrasts, enhances the emotional weight     medium. Inspired by the organic forms and landscapes of
           of each piece. Light, shadow, and texture merge to create   Kauai, Hawaii, this series explores themes of impermanence,
           imagery that appears simultaneously ephemeral and eternal,   transformation, and  spiritual  enlightenment  through

           capturing water’s paradoxical nature, its ability to give life   meticulous layering, folding, and tearing of paper. Here,
           while remaining endlessly at risk. The series challenges   paper is not merely a surface upon which imagery is applied,
           viewers to confront the urgent realities of climate change   it becomes an integral aspect of the work itself, lending its


           THE GARDEN ISLE SERIES, KAUAI NO. II, 2025 PAPER SCULPTURE- DIVERSE SIZES, EXPLORING DIFFERENT SPATIAL COMPOSITION


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