Page 6 - Top 10 Contemporary Artists | VoL 7
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Furthermore, the assertion that art is a creation of the
                                                                      artist resonates with postmodernist thought, which rejects
                                                                      grand narratives and embraces plurality and diversity.

                                                                      Postmodernism posits that art cannot be confined to
           ART AS CREATION:
                                                                      a single definition or purpose; instead, it exists in a
           THE ROLE OF THE ARTIST IN DEFINING ART
                                                                      state of constant flux, open to reinterpretation and
                                                                      recontextualization. This perspective encourages us to
           Art as creation is a provocative stance that challenges
                                                                      view art as a fluid and multifaceted phenomenon, shaped
           the very foundation of contemporary art discourse. In the
                                                                      by the diverse experiences and perspectives of both
           realm of contemporary art criticism, such a statement can
                                                                      artists and viewers.
           be dissected through various lenses, each revealing the
           complexities and contradictions inherent in the concept
                                                                      The idea that art is not a standalone entity but the creation
           of art itself.
                                                                      of those who make it serves as a catalyst for deeper
           Firstly, this perspective invites us to reconsider the
                                                                      inquiry into the nature of art. It challenges us to rethink our
           traditional definitions of art. Historically, art has been
                                                                      perceptions and to explore the myriad ways in which art
           viewed as a tangible object or a visual representation
                                                                      can be understood and experienced. In the contemporary
           that exists independently of its creator. However, the idea
                                                                      art world, where boundaries are continually pushed and
           that art is fundamentally a creation of the artist shifts the
                                                                      redefined, such a provocative assertion is not a denial of
           focus from the artwork itself to the creative process and
                                                                      art’s existence but a call to expand our understanding of
           the individual behind it. This shift challenges the notion
                                                                      what art can be.
           of art as a static, unchanging entity and instead presents
           it as a dynamic and evolving practice.
                                                                      Firstly, the concept of art as creation can be interpreted as
           Moreover, this stance aligns with the principles of
                                                                      a critique of the institutional and commercial frameworks
           institutional critique, a movement that questions the
                                                                      that define what is considered art. This perspective aligns
           power structures within the art world. Artists like Marcel
                                                                      with the ideas of institutional critique, where artists like
           Duchamp,  with  his  ready-mades, and  later  conceptual
                                                                      Marcel Duchamp and later conceptual artists questioned
           artists, have highlighted how the designation of an object
                                                                      the role of museums, galleries, and the  art market  in
           as “art” is often determined by its context within galleries
                                                                      legitimizing  certain objects as  art. Duchamp’s ready-
           and museums. By asserting that art is the creation of
                                                                      mades, for instance, blurred the boundaries between
           those who make it, we acknowledge the role of the artist
                                                                      art and everyday objects, suggesting that art is not an
           in imbuing an object with meaning and value, rather than
                                                                      inherent quality but a designation conferred by context
           relying solely on institutional validation.
                                                                      and intention.
                                                                      Duchamp’s revolutionary approach with works like
           Additionally, this viewpoint underscores the subjective
                                                                      “Fountain,” a porcelain urinal signed “R. Mutt,” challenged
           nature of art. Contemporary art often embraces the idea
                                                                      the traditional notions of art by presenting everyday
           that the meaning of an artwork is not fixed but is instead
                                                                      objects  as  art  pieces.  This  act  of  recontextualization
           shaped by the viewer’s interpretation and cultural context.
                                                                      forced the art world to reconsider the criteria by which
           Artists like Yoko Ono and Marina Abramovc emphasize the
                                                                      something is deemed art. It highlighted the power of
           experiential and participatory aspects of art, where the
                                                                      the artist’s intent and the institutional endorsement in
           audience plays a crucial role in co-creating the artwork’s
                                                                      transforming mundane objects into celebrated artworks.
           significance. This approach challenges the traditional
                                                                      Duchamp’s  ready-mades  were  not  about  the  aesthetic
           hierarchy between artist and audience, suggesting that
                                                                      value of the objects themselves but about the conceptual
           art exists as a collaborative experience.
                                                                      leap that redefined their purpose and meaning.
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