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Buyong Hwang



                                   Lives and works in Siheung-Si Gyonggi-Do, South-Korea
                                   http://www.buyong.com














           A Maestro of Visual Harmony                                tree’s  ancient  lineage,  its  survival  through  epochs,
           In the realm of artistic innovation, Buyong Hwang          and its emblematic representation of longevity and
           emerges as a distinguished figure, inter t wining          resilience. This thematic focus on the ginkgo tree
           his  rich  history  with  a  unique  creative  vision.  At   allows Hwang to intertwine his artistic expression
           28, Hwang was heralded as one of South Korea’s             with profound exis tential reflec tions, creating
           top ten graphic designers, an accolade bestowed            works that resonate with  the timeless interplay of
           by a renowned art magazine after consulting with           life and nature. Hwang’s creative sanctuary is his
           50 university professors nationwide. His prowess           home, a modest space where he contends with
           was fur ther acknowledged internationally when             his artistic musings. Despite the limitations of a
           he clinched the second prize at the UNESCO-IAA             smaller studio, Hwang finds solace and inspiration
           organized International Poster Salon in Paris in 1987.     in his surroundings, emphasizing the essence of
           This recognition underscored his burgeoning influence      introspection and individuality in the artistic process.
           in Korean graphic design. Yet, in 2009, Hwang made         His  approach  to  painting,  a  solitary  endeavor,  is  a
           a profound pivot, transitioning from a celebrated          testament to his belief that great art can emerge from
           graphic designer to a full-time painter, ending a          any space, regardless of its size. This personal and
           33-year  chapter  in  graphic  design  to  embark  on  a   intimate environment is where Hwang confronts and
           new artistic journey. Hwang’s transition to painting       harnesses his creative energies, crafting pieces that
           was not impulsive but a culmination of introspection       are not only visually striking but deeply reflective of
           and  inspiration.  In  1995,  at  an  international  design   his inner world and the broader tapestry of human
           conference in  Beijing, Colin  Forbes’s perspective        experience.
           on retirement and subsequent life stages triggered         The Inspirational Luminaries behind Buyong Hwang
           Hwang’s contemplation about his future beyond              B u y o n g  H wa n g ’s  a r ti s tic  m e t a m or p h os i s  wa s
           graphic design. His decade-long spiritual quest in the     profoundly influenced by iconic figures in the art
           early mornings at church crystallized his aspirations,     world. The decision to pivot to painting was catalyzed
           leading him to embrace painting at 58. This shift          by the life and works of Vincent Van Gogh, whose
           was not merely a change in medium but a profound           prolific output and enduring legacy left an indelible
           realignment of his creative ethos, choosing to explore     mark on Hwang. However, it was Georgia O’Keefe’s
           new horizons in the vast landscape of art.                 vibrant and sensual floral canvases that deeply
           Buyong Hwang: Echoes of the Ginkgo                         resonated with him, inspiring him to infuse his
           The artistic style of Buyong Hwang is a captivating        paintings with a similar vitality and expressiveness.
           ex ploration of  nature’s intrinsic p at terns and         Hwang’s artistic narrative took a new turn after
           enduring themes. The ginkgo tree, with its unique          encountering the works of Georg Baselitz, a pivotal
           blend of coniferous and broadleaf characteristics,         figure  whose thematic  focus on  ‘Time’ provided
           serves as a central muse for Hwang. His fascination        Hwang with a philosophical and thematic framework
          TOP CONTEMPOR ARY ARTISTS  philosophical, reflecting on the tree’s resilience and   artistic dialogues with past masters not only shaped
                                                                      to explore his own concept of ‘Resurrection’. These
           with  the  gink go  isn’t  just  botanical  but  deeply
           symbolic connection to the concepts of time and
                                                                      Hwang’s creative approach but also anchored his
           existence. Through his art, Hwang delves into the
                                                                      work in a rich historical and conceptual lineage,





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