Page 42 - TOP 10 CONTEMPORARY ARTISTS - Volume III
P. 42

J. A. Your installations frequently organically connect    Lithuania at the UN headquarters and installing the
           with your designs for the national pavilions and           first permanent exhibitions on the occasion of the
           exhibitions of Lithuania round the globe. Among such,      opening of the long-awaited National Gallery of Art in

           your works for the national pavilions at the EXPO          Vilnius were the most committing tasks I approached
           Zaragoza 2008 and EXPO Shanghai 2010 stand apart.          with a lot or responsibility.
           The  ingenious and  attractive  concepts  of  the  Rain    J. A. Your installations employ unique materials –
           House and Fly, Lithuania and their realizations were       fragile and perishable (yarn, paper) or, in opposition,

           received with great interest in Lithuania and abroad.      hard and monumental (stone, different mechanisms).
           S. V. Such tasks as the design of the National pavilion    It is a paradox that these technologically challenging
           at the world EXPO can be compared with climbing            conceptions in your hands turn into precise and
           of Mount Everest in alpinist terms – such is their         subtle works.

           ambition, their complexit y and scope. There is            S. V. The materials I opt for have been reduced,
           nowhere higher and nothing more complex.                   starting with 1991, to flax or cotton yarn and paper.
           This year’s installation The Gardens of Europe, in         All my major installation work featured paper scarps,
           the atrium of Justus Lipsius building in Brussels,         tapes, leaves and yarn. I jokingly say that in most

           done on the occasion of the Lithuanian Presidency
                                                                      cases all I need can fit into a handbag.
          TOP CONTEMPOR ARY ARTISTS  of the European Council, is the most recent work in   Though outwardly  my  art  seems  quite  abstract,  it
                                                                      always sends a message, and to communicate it in a
           the same ‘series’. For me, as an artist and a citizen,
                                                                      reasoned way is a major task to me. The relationship
           the task of representing the national heritage of

           DEATH LOOP, 1995 INSTALLATION, THE CONTEMPORARY ART CENTRE VILNIUS (LITHUANIA) 14.7X19.6 FT. | 4.5X6 M.


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