Page 236 - TOP 10 CONTEMPORARY ARTISTS - Volume II
P. 236

For these reasons the colors are important to me as well as   color of vital plants in their chlorophyll photosynthesis. Then

           the proportions of the painting, its structure, and the emotions   the blue, the color of the sky and the sea.
           it communicates. These emotions are nuanced, light, airy,
           soft. The light predominates in my painting because the dark,   I am rather inspired by the colors and works of Warhol. This
           the shadows, the black, is often assimilated with the dirty   world came about at the beginning of the century due to the
           and the negative (Adorno). Looking at the paintings one gets   unleashing of the productive society. A reality shaped solely

           the impression of Leviticus’s body and spirit, transcending for   by the character of the commodity in question. Society is as
           a few moments: euphoria as Dennet claims. The soul is the   if diluted in a delicated magma that surrounds it, a magma
           brain (Libet), and intentionality can be developed through   consisting of interference: the order of society is disordered,

           exercising it (Dennet). The study of the interaction of colors   its deconstructed structure, its symbols no longer represent
           in relation to light, from the Impressionists to the Pointillists   it. Technique and technological innovations level the way of
           at the Bauhaus in Ryman, pushes me to search for unusual   life and suddenly affect luxury (Paquot). Warhol, transfigures
           refractions, irradiations and transparencies, and simultaneous   the products, making them beautiful. Re-aestheticizes them,
           mutual contrasts.                                          pushes aesthetics to the extreme where it no longer has

                                                                      an aesthetic quality and turns upside down (Baudrillard).
           White is always present as light, the sum of pure colors. It is   Although with the Brillo Box, it was a provocation, he exalted
           the absence of boundaries; it is the infinite. Then pink, often   the opposite, that is the opaque, as Danto writes, to which

           the color of the sky at dusk or dawn, much loved by Freud   he gives an inscrutable value.
           and Goethe, also the color of some flowers. Then green, the














































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