Page 74 - SUMMARIES OF GIOVANNI BOCCACCIO’S DECAMEON : A Visionary Journey In 100 Stories And 100 Etchings By Petru Russu
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Ricciardo and Catella


                                                                                  This novella tells the cunning and humorous tale of Ricciardo
                                                                                   Minutolo, who employs wit and deceit to win the affections of the
                                                                                   jealous Catella, wife of Filippello Fighinolfi. Themes of jealousy, clever
                                                                                   manipulation, and human folly are central to this story.


                                                                                   Ricciardo, deeply in love with the beautiful Catella, is undeterred
                                                                                   by the fact that she is married to Filippello. Knowing Catella’s
                                                                                   jealous nature, he devises a scheme to gain her favor and prove her

                                                                                   vulnerabilities.

                                                                                   Ricciardo spreads a false rumor that his own wife is planning to meet
                                                                                   Filippello at a bagnio (a public bath) the following day. Catella, consumed

                                                                                   by jealousy and convinced of her husband’s infidelity, resolves to catch
                                                                                   him in the act. She secretly plans to go to the bagnio to confront him.

                                                                                  The next day, Ricciardo arrives at the bagnio, ensuring he is there

                                                                                   before Catella. When she enters, Ricciardo pretends to be Filippello,
                                                                                  carefully disguising his identity. Thinking she is with her husband,
                                                                                   Catella lets her guard down and spends the time with him.


                                                                                  After their tryst, Ricciardo reveals his true identity, shocking Catella.
                                                                                  She initially feels betrayed but quickly realizes the depth of Ricciardo’s
                                                             A KALEIDOSCOPE OF     love and devotion. Flattered and touched by his efforts, she forgives
                                                       FLIRTATION AND FRACTURED    his deception, and a romantic connection blossoms between them.
                                                      DECORUM, THE PIECE STRUTS

                                                        WITH THEATRICAL TENSION,
                                                      WHERE RICCIARDO’S PURSUIT   This tale humorously underscores the dangers of jealousy and the
                                                       AND ZIMA’S SILENT CONSENT   lengths one will go to for love. Ricciardo’s cleverness highlights both
                                                      UNFOLD INSIDE A TABLEAU OF
                                                                                   the folly and humanity of his actions, while Catella’s response reflects
                                                        OVERLOOKED AGENCY AND
                                                                                   the complexities of emotions and relationships.
                                                             CLEVER SUBVERSION.
         DECAMERON        72                                                                                                                                               73
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