Page 198 - SUMMARIES OF GIOVANNI BOCCACCIO’S DECAMEON : A Visionary Journey In 100 Stories And 100 Etchings By Petru Russu
P. 198

Isabetta’s Ingenious Defense


                                                                                   In the heart of Lombardy, the respected yet secretly amorous Abbess
                                                                                   Madame Usimbalda presides over a monastery where decorum masks
                                                                                   quiet desires. Among her flock is Sister Isabetta, a shrewd and spirited
                                                                                   nun suspected of entertaining a forbidden romance. The Abbess, driven

                                                                                   by jealousy, suspicion, or perhaps a touch of personal guilt, resolves to
                                                                                   catch Isabetta in the act.


                                                                                   One night, she rises abruptly and, in her rush to confront the young nun,

                                                                                   unknowingly grabs her lover’s breeches instead of her own veil. Clad in
                                                                                   these priestly pants,  a striking symbol of her own transgression,  she
                                                                                   storms into Isabetta’s chamber with righteous fury, expecting to find
                                                                                   shame and sin.



                                                                                   Instead, she is met with composure. Isabetta, far from being cowed, notices
                                                                                   the Abbess’s attire and immediately sees through the charade. With tact and
                                                                                   boldness, she points out the hypocrisy: how can Usimbalda, dressed in the

                                                                                   very symbol of her own secret affair, dare to chastise others? The room, thick
                                                                                   with tension, turns as the Abbess realizes her mistake has unmasked her.


                                                                                   Faced with the clever nun’s defiance and her own compromised position,

                                                                                   Usimbalda retreats. She doesn’t punish Isabetta. In fact, she avoids
                                                                                   raising the issue again. From that night on, Isabetta’s autonomy flourishes.
                                                                                   She moves with more freedom, her wit having undone the power
                                                                                   structure that sought to suppress her.

                                                     BOLD PATTERNS AND THEATRICAL
                                                            MOVEMENTS HIGHLIGHT    The story unfurls with irony and levity, turning moral authority on its head,
                                                           DECEPTION, REVELATION,   not with rebellion, but with clever observation and bold confrontation. It’s
                                                           AND QUICK WIT, ECHOING
                                                                                   a sharp tale of hypocrisy, power, and the unexpected ways in which truth
                                                            BOCCACCIO’S SATIRICAL
                                                         UNRAVELING OF HYPOCRISY.  finds its voice.
         DECAMERON        196                                                                                                                                              197
   193   194   195   196   197   198   199   200   201   202   203