Page 160 - SUMMARIES OF GIOVANNI BOCCACCIO’S DECAMEON : A Visionary Journey In 100 Stories And 100 Etchings By Petru Russu
P. 160

A Jealous Husband, His Wife and Her Lover: Confessions of a Fool


                                                                                   At this point in Day Seven, Boccaccio’s gallery of sharp-witted women
                                                                                   and deluded men has found yet another gem, with a merchant so
                                                                                   obsessed with guarding his radiant wife that he becomes the architect

                                                                                   of his own humiliation. This story is dripping in irony, cleverness, and
                                                                                   a delicious bit of retribution.


                                                                                   The merchant of Rimini is wealthy, respected, and utterly paranoid.
                                                                                   His wife, beautiful, gracious, and innocent, becomes the prisoner

                                                                                   of his jealousy. No windows, no churches, no society. He loves her
                                                                                   obsessively yet assumes every other man does too. His love, warped
                                                                                   by insecurity, becomes suffocating mistrust.



                                                                                   Denied freedom and fairness, the woman begins to reason: If I’m going to
                                                                                   be punished like a guilty woman, why not take on the crime? Cue Filippo,
                                                                                   her charming neighbor, whose proximity becomes a lifeline. A crack in
                                                                                   the wall soon becomes a portal for conversation, then affection, and

                                                                                   eventually romantic rendezvous. It’s intimacy built on ingenuity.


                                                                                   Her husband’s paranoia reaches peak absurdity when he dresses as a

                                                                                   priest to “confess” her. But she sees through the disguise and plays along,
                                                                                   feeding him a story about a priestly lover who sneaks in nightly. The trap
                                                     RENDERED IN A BOLD ETCHING
                                                           STYLE, SYMMETRICALLY    is set. He guards the door like a knight protecting virtue, while Filippo
                                                        ERRATIC, RICHLY TEXTURED,   slips over the rooftop and into her chamber. That night, the wife enjoys
                                                      AND THEATRICALLY IRONIC, ‘A   true affection as the husband stews in false piety.
                                                       JEALOUS HUSBAND, HIS WIFE
                                                      AND HER LOVER’ EMERGES AS
                                                     A VISUAL FABLE OF DECEPTION   By morning, the merchant has nothing but empty hands and misplaced
                                                       AND POETIC JUSTICE, WHERE   suspicion. The tale flips the moral high ground, positioning the
                                                       SUSPICION SHADOWS ITSELF    clever wife not as a seductress, but as a woman justifying her unjust
                                                       AND WIT ALWAYS FINDS THE
                                                                  HIDDEN DOOR.     confinement with tactical grace.
         DECAMERON        158                                                                                                                                              159
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