Page 126 - SUMMARIES OF GIOVANNI BOCCACCIO’S DECAMEON : A Visionary Journey In 100 Stories And 100 Etchings By Petru Russu
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Pietro di Vinciolo


                                                                                   In the city of Perugia, Pietro di Vinciolo is a man of wealth and reputation,
                                                                                   though his heart, as Boccaccio slyly suggests, is “anywhere but the right
                                                                                   place.” To deflect suspicion and maintain appearances, he marries a
                                                                                   young, fiery redhead whose passions far exceed his own. Their marriage,

                                                                                   built more on social necessity than affection, quickly sours. Pietro’s wife,
                                                                                   frustrated by his indifference and her own unmet desires, decides to take
                                                                                   matters into her own hands.



                                                                                   One evening, Pietro announces he’ll be dining with his friend Ercolano.
                                                                                   Seeing her chance, his wife invites a young lover into the house. But fate,
                                                                                   ever fond of mischief, intervenes, Pietro returns unexpectedly, claiming
                                                                                   Ercolano’s supper was canceled due to a scandal: Ercolano’s wife had

                                                                                   been caught hiding her lover at home. Pietro recounts the tale with
                                                                                   theatrical outrage, and his wife, feigning moral superiority, condemns the
                                                                                   woman’s behavior with righteous indignation, all while her own gallant lies
                                                                                   hidden beneath a hen-coop in the very same room.



                                                                                  The farce reaches its peak when an unsuspecting donkey steps on the
                                                                                   hidden boy’s fingers, prompting a cry of pain that shatters the illusion.
                                                                                   Pietro, startled, investigates and discovers the young man. The truth is

                                                                                   laid bare, but instead of fury, Pietro responds with a shrug and a smirk.
                                                                                   He recognizes the hypocrisy of his own outrage, after all, he too has
                                                     THIS TALE’S VISUAL FEELS LIKE   his secrets, and perhaps his wife’s indiscretion is not so different from
                                                     THEATRICAL SATIRE SMUGGLED    his own.
                                                       INTO COSMIC ABSTRACTION,
                                                          CRESPO’S RENDERING OF
                                                      PIETRO DI VINCIOLO IS CHAOS   Rather than punishment, the moment ends in quiet understanding. The
                                                       CONTROLLED, A PALETTE OF    lovers are not cast out, nor is the marriage dissolved. Instead, the tale
                                                         TANGLED LIMBS, DEFIANT
                                                      HUMOR, AND INCANDESCENT      closes with a wink to the audience: in a world full of folly, sometimes the
                                                                     ABSURDITY.    best response is laughter and a touch of grace.
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