Page 76 - Paul-Ygartua

and movements that animate reality come to life in the form of

agglomerates of shapes and colours which accumulate and pursue

each other in sequence.

Everything seems to be fragmented, against a monochrome background,

or created with just a few shades, with the addition of splinters of

consistency and small planes of segmented objectivity.

the combination of parts explodes in a single point: it’s as though a calm

and static surface has split open (from the Greek chaos) and a throbbing

organic mass has deflagrated. this polychromatic composition has not

matured through rational thoughts, but via impressions, commotions

and euphoric excitements. In this way the painter recreates the

emotional track generated by external visions. his works have a very

high conceptual level, triggered entirely by the intense observation of a

world which is more sensorial than material.

the pictorial components are elaborated quickly, in a crescendo of

tonal and gestural evolutions. If the colored scenes recreate a slow,

synthetic and apparently two-dimensional progress, the expressive

orchestrations in the foreground succeed in transmitting movement to

the whole visual structure, conveying body and life to the work. the

PrIMordIaL chaoS bY FLora roVIGo, art hIStorIan, FLorEncE ItaLY

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